Against It

The Infrared Experience – ‘Memories, Waves & Frowns’ CD
We welcome back The Infrared Experience (Location still unknown) with a brand new instrumental CD and there is an enormous variety (or creativity, if you like) going on here. From experimental & contemporary music to (guitar) post rock to organic (guitar) ambient ( & dark) soundscapes. And maybe also for people who like a mix (and/or musical traces) of Steve Reich, Roy Montgomery, Set Fire to Flames, Philip Glass, Stars of the Lid, (experimental) Sonic Youth etc (to name the most known…we probably forget a couple)Sometimes it is hard to believe that all sounds have been created only with electric guitars and a few guitar effect pedals, but it’s a fact.  This is the second full length album by The Infrared Experience and it is probably even better than the appreciated debut (“White”).  But you really need to listen to the entire album to appreciate the variety & ideas.  guitars by tie.  Photography, artwork/cover design and audio post-production & mastering by Ralf Rabendorn. CD Info: Limited prof collectors edition, pro diamond dyes, AiR Digipack design, thick cardboard with special coat, waterproof Nice monochrome art in black&white (outside), sepia (inside) & monochrome blue (middle).  NEW COVERS printed by a professional printing plant!  50 min playing time.  Due to the larger and heavier new covers, the shipping costs are much more expensive compared to all previous releases, but we still try to keep the prices low!!! We hope you appreciate it

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Notice

Windmill • Waterwheel – ‘Waterwheel • Windmill’ C40 $7(US)/$9(World)
One may be aware of Kirk Marrison’s work through Fibreforms and Kiln. During the mid-’90s, Marrison collaborated with NYC guitarist Charlie Nash (Arsenal/Rhys Chatham) on two releases slated for Alley Sweeper Records. The first, Waterwheel – Panchroma, was released, but due to the disintegration of the label, the second was not. ” Waterwheel • Windmill ” is that release, finally emerging in 2011 under the Windmill • Waterwheel moniker. Combining rhythmic explorations with some seriously alive processing and textures, these pieces still feel fresh today, 15 years after they were recorded.  Nash moved to the Midwest, but his influence on the late-‘70s No Wave New York scene has been noted. Here, he provides a variety of musical textures with objects, prepared and played guitar, and guitar as transmitter of beauty. Marrison sculpts these into teeming atmospherics, constantly dipping in and out of amorphous spaces; at times sounding like a forest and at times like clippings of forgotten landscapes, sewn together by threads of hot water.  Artwork by E. Lindorff-Ellery. Pro-printed on heavy stock. Pro-dubbed, imprinted cassettes with classic Notice attire. Type II Cobalt. Edition of 100.

56K – ‘Generations Lost’  C30 $7(US)/$9(World)
Generations Lost is the debut Notice Recordings release of 56K, the new project of Josh Burke. Over the past few years, Burke has released dozens of tapes under several aliases—Sky Limousine, Ocean Diamond, Silk Fountain, etc—showcasing his ethereal synth constructions. As this tape’s title suggests, 56K continues Burke’s explorations on themes related to memory, perception, and reproduction. Highlights from the half-dozen tracks include the trancelike unfolding epic “A Dream Within A Dream,” the retro-gaming arpeggiated breakdown of the title track, and “Angel,” a bold and mysterious New Age homage. Elusive and dreamlike, these half-recognized zones emerge organically from the musical framework of Burke’s pieces.  Collaborative artwork by E. Lindorff-Ellery and Josh Burke. Pro-printed on heavy stock. Pro-dubbed, imprinted cassettes with classic Notice attire. Type II Cobalt. Edition of 100.

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Sudor – ‘La Sangre, La Mierda, Y Las Babas’ [Guest Review]

“It’s better to burn out, then to fade away.” – Neil Young

I open this review of live cassette from a punk band, with a quote from my favorite hippie (and current spiritual guide) Neil Young. Why? It’s not just because Cobain’s suicide note (in which he quoted this line) looms large with the Nirvana anniversary bullshit taking over every record store on the planet, but rather because the song this lyrics is from (“My My, Hey Hey (Out Of The Blue)”) is about punk, getting old, and the quality of rock and roll in a more general sense. Neil sings “The King is gone but not forgotten/This is a song about Johnny Rotten\It’s better to burn out then to rust” Now for a full explanation you gotta really understand, what Neil means about rust. In 1979 Neil told Mary Turner about Rust “ I can relate to ‘Rust Never Sleeps.’ [the album this tune is off of]…The longer I keep going, the longer I have to fight this corrosion” So while most have emphasized the spirit that neil speaks to in they lyric “it’s better to burn out than to fade away”, most forget about the song.  The song is ultimately about the subtle glacial drift of our spirit that comes inevitably with aging. The point for punks and about Cobain means this – there’s rust encroaching our youthful spirits, and we may fight it. Neil’s called this spirit “the burn”, and Neil would say about Cobain years later “When you see the way he [Cobain] was in those two performances, there’s no way he could ever get through the other end of it. Because there was no control to the burn. That’s why it was so intense… For me it works, because I’m different. It worked for me to stop playing really hard music and go the other way while I get my strength together, get my head back. Because if you run out of fuel – spirit and inspiration – then you’re just going’ through the motions. I think maybe that when he ran out of fuel, he through he was dead.” Punk has since it’s inception been about the burn, and we may choose to read Cobain’s death as ultimately one punk’s refusal to rust. Yet, while we may look at Cobain as punk’s last haunting cry of the futility of music, life, and ultimately punk I think Sudor (and some of the best bands in hardcore today) have rebuffed that story.

The point here is not that Sudor is not some harbinger of a “new wave” of “real punk” or that punk ever died (in fact there have alway been, and will always be punk band’s who either get it right, or get close to getting it right), but rather that the sonic quality of this tape points to what it was all about to begin with, and what happens once we give up on giving up.  The tape (I know… Finally) is a gritty recording of a live show. The tape opens with some glasses clanging, and some stuff in spanish that sounds like it’s about anarchy. The fuzz overtakes you soon, and you’re left with some pretty great classic d-beat (i.e. Discharge). This is straight up fast 1-2 punk, with an occasional plodding ripper that is more Grand Funk riffage, than Tragedy’s crust bird soaring. How is it musically? To be honest, it’s nothing particularly amazing. Yet, at their better moments, the band devolves – falling apart, through sheets of guitar solo noise, screaming, and pounding drums – and reflect something greater than just the chords. These moments occur more often, and better than most of the fucking garbage calling itself punk these days, but they are still fewer and farther between than I would like. To me, these moments have always been what Neil would call “the burn”.

As my introduction hinted at, the answer to the question of “Is it better to burn up than to fade away?”  is “Not really… its about controlling the burn.” Since Cobain, and Sid Vicious before him, people have always wondered about the longevity of punk. As a movement designed around a model of constant revolution that Jefferson would be proud of, it leaves little to hold onto. Some have chosen to live inside the burn (i.e. GG Allin, Cobain) and be consumed by it, while other’s have rejected that it can be maintained (i.e. Those who claim that “punk’s dead”).  This live tape, shows that burn can still be courted, and showcases it in its natural habitat – a live show. At moment’s you can feel utter abandon that comes from smashing a whole in your wall when you’re 15, or from punching your boss in the face. It’s that feeling, that burn that’s so dangerous and that ultimately appears from time to time. Yet, while Sudor have courted the fire, they have yet to live inside of it and musically integrate it.  Musically (what lies beneath the layer of fuzz) it plays pretty tried and true, for those who like classic UK 80‘s hardcore you’ll love this (myself included). But the tape showcases something that exists beyond the actual notation of the tunes – the moments of chaos the band hits are indicative of a dance with the devil. Unfortunately, the devil is still in control. He has been courted, but not mastered into submission. In short, he’s here to fuck you, and lose your number.

What makes this tape worth the buy, is that ultimately the burn is there at times. Considering that most people who involve themselves with punk (and noise for that matter) forgot (or never knew) what the burn sounded and felt like, this thing is probably one the best recordings to come out in recent years, and should serve as a reminder to both punks and noise kids alike. The intensity in musical choices both scenes focus on often make it so that we expect the burn, but for both scenes what I’ve called “the burn” is often confused with the more obvious qualities of “loud” and “offensive”. This tape provides an excellent reminder that neither of these are the same, or stable properties. The burn is often quick, catch it when you can. 

Review by Larry Funkhauser

Afeite Al Perro one-sided cassette
sold out
HERE

Teen Action

TAR031 – Seven Lies About Girls/Derek Rogers split C60
limited to 50 copies. This is the tale of when Seven Lies About Girls and Derek Rogers went to Disneyland. Side A has Toxitown’s house band staged to storm the Grey-Matterhorn armed with farfisa and banjo, only to wind up taking so much acid their souvenir photo from Splash Mountain came out Hypercolor. Side B finds Derek Rogers drifting through Space Mountain on a sea of syrup, recieving thought transmissions from the sentient automotons. Welcome to the world of tommorrow. Remain seated por favor.

TAR032 – Gaze – ‘III’ C60
limited to 100 copies.  The era of the “noise party band” is supposed to be over, but try explaining that to the three capital-d Dudes who make up Gaze. They’ll show up at your house with suitcases of broken gear and milk-crate mounted effects processors to open a neon wormhole in your tiny living room with all the fever and focus of Thorton Melon nailing a triple lindy. Perfect jams for chilling with the Silver Surfer at a cosmic kegger.

TAR034 – S.C.O.A.M./Pregnant Spore – ‘Circle The Excess’ C40
limited to 50 copies. Teen Action Records is pleased to present this sublime stereophonic exploration by San Francisco’s “Student Considers Other Academic Models” and Baltimore’s “Pregnant Spore”. Through the use of innovative technologies, such as The Internet and Sesame St. talking toys these artists have created a work of timeless beauty, sure to appeal to group activities and contemporary resource possibillities.

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Games of Chance

Mincemeat or Tenspeed $5
After Strange Gods when faith in strategy was absent, and the only game played was dice.   Melodic, Rhythmic, “noise”/ Fake techno.  Pro duped cassette, with silkscreened covers by Mark Price.  150 copies.  52:00 running time.  LISTEN

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Cerebro Morto

Pregnant Spore – ‘Listen To The Universe’ CDr/special edition cassette €5/€15
Pregnant Spore, the one-man project of Justin Marc Lloyd, presents organic soundscapes, characterized by heterogeneous noises glued together, along with deviating frequency sounds. Mind-melting sound with a strong psychedelic leaning, achieved through real objects sound processing, and DIY effect pedals.  Justin also runs Rainbow Bridge independent music label, and is active in the fields of photography, image manipulation, and circuit bending.  Listen To The Universe was recorded in early 2011.  Special edition (CM009L):
Hand-painted cassette housed in hand-painted card box.  Limited to 18 copies (15 hand-numbered, 3 slashed)!  Regular edition (CM009)CDr packed in mini CD case. Cover artwork presents an image of real human brain cells.

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Hospital Productions

CHRISTIAN COSMOS – ‘enthronement by god as the first-born of the dead’ – 4xcassette
soundtrack for judgment of souls. edition of 48.

RAINFOREST SPIRITUAL ENSLAVEMENT – ‘green amulet crafts supernatural qualities’ cassette
environmentalism is the new religion. minimalist rhythmic noise ambient. edition of 63.

INFRASTRUCTURE ZERO – ‘socom’ double-cassette
industrial out of the mists of early morning balkans. cold scaffolding turning orange with rust. freon leaks out from refrigeration units onto cracked cement floors of the slaughterhouse. edition of 63.

SIERRA LEONE ANGER – ‘executive outcomes’ double-cassette
UN funded world slavery? peace with honor? reconciliation for death squads? edition of 63.

DECEMBER MAGIC – ‘could the web be re-spun’ cassette
electronic noise from dominick fernow dealing with the ‘spider web’ controversy in the JonBenét Ramsey investigation. edition of 63.

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Slow Fidelity

P.J.B. (aka Psychedelic Jam Band) – ‘Da Book Vv Magick’ CDr $8
Over twenty minutes of trip hop and psychedelic electronica in this new EP from Silver Spring, Maryland P.J.B. (aka Psychedelic Jam Band). Da Book Vv Magick includes the lengthy pieces Why Are We Still Here? and Homeless Musicians, recorded one week before core member Andrew Wondu (The Age Of Heroes) left to visit his homeland of recently-liberated South Sudan – where he is currently based – bringing the P.J.B. project to hiatus. This disc also includes the song Flashes featuring artist Nina Ramadan on vocals and Michigan-based bassoonist Vince Karamanov.

Paul Joyner – ‘bmw motorcylce’ 3″CDr $7
Two extended works for piano and voice; bmw motorcycle and Theme from Drowned Underground. Recorded live during the fall that just passed, having played these songs in one form or another at solo acoustic shows over the past several years.

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Jozik

Wolf Fluorescence – ‘Unwavering, Achronymous’ C20 5€(EU)/6€(World)
Wolf Flourescenece is an ambient music project of Ross Devlin, based in Memphis, TN. Unwavering, Achronymous is the man’s debut tape release, that Jozik is proud to put out. The tape features two tracks of ambient goodness, ranging from minimal synthy sounds to distant hum and noises. Cold but soothing, this is the music for quiet winter nights with a candle light. Handmade carton boxes by Maiorov. Limited to 60 copies.

Tulasi/Caligine split C40 5€(EU)/6€(World)
Tulasi is a Finnish duo, who are also known for their solo projects Kulkija and Kutomo as well as being involved in various free folk collectives. Their side consists of meditative drone-folk tracks, organ sounds and flute melodies creating tranquil spheres, at times more free-flowing, sometimes rhythmic. The other side of the tape is Caligine, a psych-folk project from Italy continuing the dronefolk theme, but in a slightly different manner. Starting with electric guitar feedback noise, the massive track turns into a beautiful and melodic acoustic guitar piece. Poly boxes with artwork by Anya Kuts. Limited to 75 copies.

Brian Green – ‘112011’ C30 5€(EU)/6€(World)
Brian Green is a sound artist living in South Carolina, USA. For this half an hour long tape Brian recorded various instruments in an improv session and then processed them further on a computer. The result is a distant sounding ambient collage of acoustic instruments, tape hiss, bowed drones and keyboard sounds, all drowning in reverb. Poly boxes with artwork by Sasha Kretova. Limited to 60 copies.

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Against it

Summons of Shining Ruins – ‘Peyrelebade’ CD
Shinobu from Japan is back with a new instrumental guitar only album as Summons of Shining Ruins. This CD is filled with 4 long hypnotic, dreamy, minimalistic and very atmospheric songs. All sounds have been created with an electric guitar and a few effect devices, recorded with analoge equipment. The lo-fi sound and the hiss and background noise that’s going on here are an important part of this album. Maybe similar to the old Stars of the Lid (just more lively) the music here is floating and lets you forget about time. A somehow peaceful but/and also thoughtful experience!  Music performed, written & produced by Shinobu Nemoto. All pictures, artwork and minimal mastering by Ralf Rabendorn.  CD Info: Limited prof collectors edition! 6 panel covers, Unfolded inside cover becomes a little poster! NEW COVERS printed by a professional printing plant! thick cardboard, matte, waterproof.

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