Category Archives: UPDATE

PURR 0016: Food Pyramid – ‘Live/Dead’
Live at the Bakken Museum of Electricity, Food Pyramid incants the freedom of Ash Ra Temple from the vertiginous crest of a great wave.  Their complimentary efforts echo and coalesce through the valleys below, waking forest life to a somnambulant rustle.

PURR 0017: Samantha Glass – ‘Rising Movements’
The abandoned lodge emerges from the dark, wet woods. It is warm and light inside – carpeted halls and wood banisters welcome your step, draw you deeper past branching rooms. What mysteries, forgotten treasure, and danger await within these decrepit walls?

PURR 0018: Mitchell Turner – ‘Cascades’
Spyglass renders telescopic visions generously spread – a fire on mountainous lands – a blurred image of star and planet.  Side to side guitar shines on pieces of crystal.

PURR 0019: EN/Jefre Cantu-Ledesma split
In preparation for their Japan tour with Grouper in April 2012, En (Maxwell August Croy & James Devane) defined the genesis for ‘Blood’. Upon returning home, ideas developed from their performances were fleshed out and a new organism birthed. Jefre Cantu-Ledesma was sent parts of the completed En track, which he used to create ‘Blood Variations’.

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Pacific Strings – ‘Woodgate Valley’ CS
CF is very pleased to announce the debut release from Berlin’s Pacific Strings, Woodgate Valley. Daniel John Boyle (UK), Florian Zeisig (GER) and Maggie Buck Armstrong (US) formed the band in early 2012, recording the eight song mini-album in a summer house on the Polish border after only a few months together. The three share vocals and instruments to create a sinuous, multi-layered yet accessible sound, a combination in their own words of ”pop obsession and new world atmospherics”. Woodgate Valley is available in a super limited cassette edition including download of all 8 tracks.  We have a handful left of the wonderful Thread Pulls You Melt Words\ 5/8 Rhythm Here, the Dublin experimentalist’s first new material since 2010’s New ThoughtsLP, available in a super limited edition of only 100 label-less 12″s. All records include two glossy photographs and download codes.

Champagne Diamond/The Brilliant Light LP
Back in 2007 we released a gem of an album by then Dublin based audio visual artists Nina Canell and Robin Watkins, Champagne Diamond/The Brilliant Light. The original edition came packaged in a unique embossed sleeve, these are long gone but we have just found a rare batch of long lost “rough diamonds” in plain black discobags which we are selling for a reduced price for a very limited time while stocks last. Integrating elements of traditional song, field recording and backwoods chant (Champagne Diamond, Fly the Radio Sky, Separate Members), alongside found-folk (Scatter & Yearn) and Music Concrete (Rot, Get Soft, Build & Leave) the six songs that constitute CHAMPAGNE DIAMOND can be considered as a self-contained piece, as with the three more expansive and improvisory spoken word/instrumental segments of THE BRILLIANT LIGHT, or taken together with the latter as two halves of one self-reflexive whole. Includes 320 kpbs MP3 download of full album for the first time.

Sea Pinks – ‘Freak Waves’ LP
Two years on from the garage fuzz of debut Youth Is Wasted (Japanese Knotweed), and following on from last year’s jangle pop mini-odyssey Dead Seas (Fountain Tesserae, Peripheral Vision), Freak Waves, the third album from Sea Pinks, is the fullest realisation of their sound so far. From pristine guitar pop (A Pattern Recognition, Shrinking Violet) to full-blooded brooding (False Spring, Subliminal Messaging) to the epic closer of the title track and all points in between, this is the band at their most dynamic. And while the songs seem to dwell on disillusion, broken communication, and ambivalence in general; the bright, buoyant melodies therein perform the perfect counterweight. This is classic sounding, bittersweet pop at it’s effortless best.  Available in a limited edition of 250 12″ LPs, including 320 kbps MP3 download of all ten tracks.

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RC63: RATKILLER – ‘CELLAR DWELLER’ C32
Estonian museum security guard, Mihkel Kleis breaks out of his shell, only to keep us clappin’ and bobbin’ away. Full color plastic inspired j-cards. Professionally home-duplicated on type II chrome cassettes courtesy of ExcelDay.

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Perkin Warbek – ‘l’anathème d’une bicyclette’ C70 $6
Perkin Warbek (aka aaron3000) is known for his sentimental work with mixtape sounds, blending genres and remixing pop and underground artists in his own branded style.  L’anthème d’une bicyclette is a masterpiece.  Originally recorded as a digital release, ihaa archives the physical format of a true mixtape on limited edition cobalt cassettes (50).   “a special mixtape with special vocal appearances of LORI SCACCO ( EASTERN DEVELOPMENTS, SAVATH Y SAVALAS TOUR MEMBER ) composed of: tracks from LE CHAPELIER FOU, PREFUSE 73, EDAN, BOARDS OF CANADA, MIRA CALIX, CLUE TO KALO, THAVIUS BECK….this was done thanks to two turntables. ” Mp3 download with purchase.

Bizzart – ‘Grey Goo’ C34 $6
As the story is told, Bizzart found himself in a room with six other producers and a nice bong… the result was a factory of hidden sounds and dynamic beats and sound frequencies that blend together in bizarre ways.  A room full of producers with such raw talent that the intricacies of the work requires multiple listens to truly appreciate its genius.  Recorded a few years ago in Seattle, WA – we are offering a limited edition to help archive this moment as well as help raise money for Bizzart’s future tours.  Support this album and check out his recent work as Gothic Cholo from the prized Time Lapse label. Featuring: Bizzart, Rallim Nomad, Tarso, Introcut, Suttikeeree, filkoe, and Arthur Russell.  Limited to 30 on black tapes.  Mp3 download included with purchase.

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MAJOR STARS – ‘Decibels Of Gratitude’ CD
What to say about a band who continuously claims Otis Rush and Buddy Guy as it’s primary influences, but usually finds their records filed in the “noise/experimental” bin? Any mention of Major Stars tends to send some scurrying for the most obscure psychedelic references, but one need look no further than the Who or Cream to find the primary ingredients of melodic songwriting combined with an over-the-top instrumental assault.

FOLKE RABE – ‘What??’ CD
What?? is a focused and grounding work produced by Swedish composer Folke Rabe in 1967. From his interest in sound phenomena and harmonics Rabe was able to make one of the most deep, moving pieces of sustained sound generated in this formative era of minimalist electronic composition. Initially reissued on Dexter’s Cigar in 1997 and now available on Important with expanded packaging including archival materials furnished by the composer. Amplified infinity.

MASTER MUSICIANS OF BUKKAKE – ‘Totem One’ LP
First 200 mailorder copies on purple vinyl. Please be sure to select the purple vinyl option when purchasing.Master Musicians Of Bukkake’s newest record and part of a Northwest trilogy, Totem One marks an evolution from their first record “Visible Sign Of the Invisible order.” MMOB has now solidified into a 7 piece cosmic psyche force.

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Anla Courtis & Richard Francis – ‘Aucklantida’ C40 $8(USA)/$10(World)
Edition of 50.  Since the mid-90′s, Argentinian composer Anla Courtis has found an uncomfortable nest within his strange and abstract music.  Meanwhile on the opposite side of the planet, Richard Francis has been establishing himself within his outpost in New Zealand as a sage of ambient drone waveforms.  When both of these minds melded across the Pacific, the following documentation was born.  Studied and paced drone textured without any caution using cut-ups, modular electronics and bent instrumentation.

Stone Baby – ‘Debris’ C20 $8(USA)/$10(World)
Edition of 50. Distorted ambient death rattles by upstate NY artists Cory E. Card and Jen Marquart wraps up another perfect release in Debris.  Blistering drones that contradict itself, layered shards of voice and tape wrapped up in a tangled fray.  Known to many from their adventures on Carbon, House of Alchemy and Peasant Majik, this newest release portrays the band as more jagged and referential that previously displayed…both sides forming a perfect union of medium and host.

Kösmonaut – ‘Geist’ C46 $8(USA)/$10(World)
Edition of 50. Vintage sequence of celestial proportions in the new cassette by Patrick Park under Kösmonaut.  Drawing influences from the likes of Cluster, Heldon / Pinhas and Ashra Temple, this project delivers electronic krautrock style unmatched in our cosmos, hatching a galactic egg of supersonic progressive energy.

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ErstLive 009: Antoine Beuger – ‘s’approcher s’éloigner s’absenter’
This world premiere piece, written by German composer (and Wandelweiser founder) Beuger specifically for this festival and these musicians (Ben Owen, Barry Chabala and Dominic Lash) and dedicated to Abbey, opened the first night of the festival, setting a fantastic tone and high standard for the weeks of music to follow.

ErstLive 010: Christian Wolff/Keith Rowe
This set was the first ever full-length duo set from these two longtime masters, bringing Rowe together with one of his early influences, New York School stalwart and John Cage collaborator Christian Wolff. This show coincidentally occurred on September 4, ending after 11 PM, so almost precisely one year before Cage’s 100th birthday.

ErstLive 011: Keith Rowe – ‘September’
This was the much anticipated final set of Keith Rowe’s week in NYC, following five duo sets with various collaborators. It took place on the 10th anniversary of 9/11, and the Manhattan atmosphere was uniquely charged. As he almost always does, Rowe rose to the challenge of the occasion, creating a moving, dense, virtuosic set in the lineage of his 2004 set with Burkhard Beins in Berlin (ErstLive 001) and his 2008 solo set in Tokyo (ErstLive 007). The recording quality is remarkable, both recorded and mastered by Taku Unami for maximum impact, this is truly a special recording.

ErstLive 012: Radu Malfatti/Taku Unami
This was the 10 PM set on 9/11/11, and makes for a perfect pair with the Rowe solo, two very different extremes. Where the Rowe is in your face visceral, the Unami/Malfatti created a gentle atmosphere within the pitch-black room (lit solely by Unami’s visuals), an overarching cumulative feeling in the listener. The too-perfect-to-be-scripted intro and outro frame a set that’s almost not there, a radical recording even by ultraminimal standards.
 
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ASTRO/&+NUNDATA SPLIT/COLLABORATION $7(USA)/$8(CAN&MEX)/$10(WORLD)
THIS TAPE BRINGS ONE OF THE GREATS TOGETHER WITH A VIRTUALLY UNKNOWN SERBIAN ARTIST IN WHICH I AM ALWAYS INTERESTED IN RELEASING, SRDJAN EFTIMOVSKI (NUNDATA). ODD METALLIC CLANGING AND GRATING TEXTURES WITH MANY PERPLEXING ELEMENTS FADING IN AND DRAINING OUT. ASTRO (AKA HIROSHI HASEGAWA), A MEMBER OF THE LEGENDARY C.C.C.C., PERFORMS PSYCHEDELIC NOISE AS PER USUAL, ABSTRACTLY AND HARSHLY SIMULATING COSMIC MAGNIFICENCE AND DESTRUCTION. 1ST EDITION: PROFESSIONALLY PRINTED, HAND-NUMBERED J-CARDS. PRISON SHELL C55S WITH UNIQUE HAND-PAINTED LABELS LEFT OVER FROM PREVIOUS RAINBOW BRIDGE RELEASES. ARTWORK BY JUSTIN MARC LLOYD. LIMITED TO 10 WITH FULL COLOR ARTWORK. 2ND EDITION: BLACK INK XEROXED ON NEON ORANGE CARD STOCK, CLEAR SHELL C62S WITH HAND-PAINTED/DRAWN/STAMPED ARTWORK ON WHITE LABELS, HOUSED INSIDE NEON GREEN TAPE BOXES.

BREAKDANCING RONALD REAGAN – ‘NEUROSCIENCE IS DUMB’ C40 $7(USA)/$8(CAN&MEX)/$10(WORLD)
MY INCREASING INTEREST IN NEUROSCIENCE AND IT’S RELENTLESS UNACCEPTANCE IN THE PSYCHOLOGY FIELD AS A FACTOR IN MENTAL ILLNESS HAS BEEN SHAT UPON BY JOHN CASH OF AUSTIN, TX. 40 MINUTES OF DIVERSE, DYNAMIC AND CUT-UP-ISH. COMPLEX AND METICULOUS, EVEN. A SLIGHT TONGUE IN CHEEK FEEL BECAUSE GENUINELY COMPOSED, HIGH-QUALITY, AGGRESSIVE AND POWERFUL NOISE CAN ALSO BEEN FUN AS SHIT. FUCK THE FUN HATERS. BLACK INK ON NEON PINK, NEON YELLOW, PEACH, GREEN, AND WHITE CARD-STOCK J-CARDS. EACH TAPE CONTAINS DIFFERENT STICKERS ON THE A SIDE. SOFT POLY CASES. ARTWORK BY JUSTIN MARC LLOYD, INCLUDING THE BLATANT TYPO, THAT JOHN DECIDED HE DOESN’T CARE ABOUT AND THINKS IS FUNNY. BREAKDANCING RONDALD REAGAN COMIN AT YA.

GX JUPITTER-LARSEN/WIDOW’S BATH/PERMANENT OUTLET SPLIT CD $10(USA)/$12(CAN&MEX)/$15(WORLD)
RAW AND DIRTY ELECTROACOUSTIC BY THE HATERS ONE-AND-ONLY GX JUPITTER-LARSEN. WIDOW’S BATH DELIVERY THE LAST 10 MINUTES OF THEIR FIRST RECORDING SESSION EVER, PREVIOUSLY UNRELEASED. HARSH AND PSYCHEDELIC FEEDBACK AND SYNTH EXPERIMENTATION. PERMANENT OUTLET ARE THE TEXAS DUO OF ZACH GUTTOWSKY (GLASGOW SMILE, BLACK LEATHER JESUS, FOLTER) AND CHANEL GARCIA (LADYBOI BIOPSY). AN EXPERIMENTAL APPROACH TO HNW. SERIOUSLY THICK, CRUMBLING WALLS COMPLETE WITH FULL COLOR ARTWORK BY JUSTIN MARC LLOYD ON 2-SIDED INSERT, TRAY CARD AND CD FACE. SHRINK WRAPPED. LIMITED TO 25 COPIES. REPLICATED AT KUNAKI.

JUSTIN MARC LLOYD – ‘YEAR OF THE WATER DRAGON VOL 2 & 3’ C40 + C45 + ZINE $15(USA)/$17(CAN&MEX)/$20(WORLD)
TRANSLATED NATURE AND ENERGY FROM WITHIN THE YEAR OF THE WATER DRAGON. NOTHING IS AIMLESS, ALTHOUGH ONLY THE WIND CARRIED. I HAD TO ASK MYSELF CONSTANTLY, “DOES EACH MOVEMENT MOVE ME? WAS I MOVED WHEN I MOVED THIS SOUND, EVEN AMONGST THE INEVITABLE ELEMENT OF MYSTERY?” IT IS A LOT TO SAY AT ONCE, BUT IT IS GENUINE, AND IT EXPLORES MUCH OF THE SONIC SPECTRUM; CRUMBLING AND CRACKLING, ENVELOPING AND MODULATED DRONES, SNEAKY NO-INPUT EXPERIMENTATION, CIRCUIT-BENT DRUM MACHINE POUNDING AND PURE FOUND SOUND/TAPE MUSIC. COMPOSED AND MIXED IN REAL TIME. EACH SIDE OF THE C40S HAVE 33 MINUTE PIECES RECORDED ONTO THEM, WHILE LETTING THE COMPLETION OF THE TAPE CROP THE PIECES. THE REMAINING MATERIAL FOR THE FINAL VOLUME WILL BE RELEASED BY OBFUSCATED RECORDS IN THE FORM OF A C30. GET BLAZED AND ZONE. THIS WAS MADE FOR THE FILLING OF AIR AND THE COATING OF SPIRITS. ADDITIONALLY, THIS RELEASE COMES WITH A HAND-MADE ZINE OF 20-30 PAGES EACH, WITH DIFFERENT PIECES OF HAND-MADE AND DIGITAL COLLAGES MIXED TOGETHER ON SEVERAL DIFFERENT TYPES OF PAPER, INCLUDING HOLOGRAPHIC SILVER SPARKLE FOR THE COVERS. PICTURED: THE PRESENCE OF THE WATER DRAGON TRANSLATED INTO VISUAL GRATIFICATION. VOL 2 ARE BLACK TAPES WITH HAND-PAINTED LABELS IN A LIME GREEN BOX. VOL 3 IS A PURPLE TAPE WITH HAND-PAINTED LABELS IN A PURPLE BOX WITH A HOLOGRAPHIC STICKER ON EACH. BLACK INK ON CARD STOCK (RAINBOW ZEBRA-PRINT CARD STOCK FOR VOLUME 2 AND RAINBOW POLKA DOTS FOR VOLUME 3). LIMITED TO 23.

WATER BULLET – ‘GREEN GREEN’ C45 $7(USA)/$8(CAN&MEX)/$10(WORLD)
A BALTIMORE-GONE-CHICAGO+UPSTATE NEW YORK DUO FEATURING MATT EKEY AKA BRANDON MARSHALL (WR). FREE IMPROVISATION SESSIONS OF DAMAGED ELECTRONICS, SIDRASSI ORGAN FLIRTATIONS, LOOPS AND COLLAGES, PROCESSED TOY KEYBOARDS, CORRUPTED DATA DUBBED TO TAPE AND MANIPULATED… A COMPLETELY UNAGGRESSIVE YET DYNAMIC AND STRANGE SONIC ASSAULT COMPOSED AROUND THE IDEA THAT BEING A CLEANING LADY HIGH ON MARIJUANA IS OPPRESSIVE. THESE ARE HER STORIES. BLACK INK ON LIGHT GREEN CARD STOCK. BLACK TAPES WITH HAND-MADE ARTWORK. 18 J-CARDS FEATURE ARTWORK BY ALYSSA HERLOCHER. THE OTHER 17 FEATURE ARTWORK BY JUSTIN MARC LLOYD. LIMITED TO 35.

OK PUTRID – ‘SMOKE WEED EVERY DAY (IT’S NOT FAIR THAT U DON’T CARE)’ 6″ LATHE $12(USA)/$14(CAN&MEX)/$16(WORLD)
RB’S FIRST LATHE. 5 MINUTES OF SERIOUSLY DAMAGED TAPES, SYNTHS, AND ELECTRONICS BY TWO WEIRDOS WHO GREW UP IN THE BACK-ASSWARDS REDNECK SHIT-HOLE TOWN OF MAYO, MD, SOMEHOW ONLY SEVERAL MILES FROM “LEGITIMATE CIVILIZATION.” NOT SURE IF THAT’S A GOOD THING. UNCONVENTIONALLY HYPNOTIC LOOPS INFLUENCED BY STUPIDITY, OVER-COMPLICATED THINKING, FUNNY FEELINGS, FUN, ETERNAL FRIENDSHIP AND PONIES AND RAINBOWS AND ALL THAT. IT’S SORT OF IRRITATING AND UPSETTING. FULL COLOR ARTWORK ON BOTH SIDES BY KAITLYN PROCHAZKA. EACH INDIVIDUAL MULTI-COLORED LATHE IS UNIQUE. COMES WITH INFO SHEET INSIDE A PLASTIC SLEEVE WITH A 3D STICKER. LATHES CREATED BY 2208. LIMITED TO 15.

FILTH – ‘AUTOSCOPY’ C32 $7(USA)/$8(CAN&MEX)/$10(WORLD)
ROB BUTTRUM HAS ALWAYS BEEN COMMITTED TO, IN THIS PROJECT, AN EQUAL BALANCE OF WEIRD AND HEAVY. TERRIFYING VOCALS, TAPE MANIPULATION, FEEDBACK AND STRONG, INDUSTRIAL PULSING AND POUNDING. BLEAK AS HELL BUT OVERWHELMINGLY PSYCHEDELIC. FILTH IS STEADILY TURNING THE POWER ELECTRONICS, INDUSTRIAL AND NOISE SCENE UPSIDE DOWN. ALSO, CHECK OUT ROB DOIN HIS THANG IN TERMINATOR 2 AND NITE SHADEZ, TWO MORE EQUALLY AS FILTHY TEXAS BANDS. BLACK INK PRINTED ON ROYAL BLUE J-CARDS. WHITE SHELLS WITH PURPLE AND GOLD ARTWORK. LIMITED TO 36.

CANINE COURT ONE – ‘I CAN’T REMEMBER’ CDr $6(USA)/$7(CAN&MEX)/$9(WORLD)
DIRTY, STRANGE, BLACK METAL-INSPIRED TRACKS FEATURING SANTERI LOHI OF WHITEWATER ORGASM AND MIKAEL KOSKINEN. SINISTER HOWLING, DIGITAL 80’S/90’S STYLE SYNTH PADS, DARK AMBIENT PASSAGES, AND ENOUGH DISTORTION AND DEPRESSION TO TORTURE YOURSELF FOREVER. BLACK INK ON YELLOW J-CARDS. SOME ARE NEON YELLOW, OTHERS ARE A PALER, DARKER YELLOW. HAND-STAMPED CDR IN A PLASTIC SLEEVE. LIMITED TO 33.

TEATRO SATANICO – ‘RAINBOW TAPE’ C32 $7(USA)/$8(CAN&MEX)/$10(WORLD)
THIS LEGENDARY ITALIAN PROJECT OF DEVILS G RELEASED IT’S FIRST CASSETTE IN 1993. SINCE THEN, IT HAS THRIVED ON APPROACHING POWER ELECTRONICS, INDUSTRIAL, AND ELECTRONIC MUSIC AS A WHOLE IN AN EXPERIMENTAL, UNUSUAL AND DARK WAY. SATANIC THEMES. OR RELIGIOUS. OR SACRILEGIOUS. 30 MINUTES OF “LAPTOP PUNK” INFLUENCED HEAVILY BY MINIMAL ELECTRO, NEW WAVE, DARK AMBIENT AND AVANT-GARDE NOISE. AN ABSOLUTE MASTERPIECE OF GENUINE COLD, DARK, INDUSTRIAL THAT I’M SO HONORED TO HAVE ON THIS LABEL. BLACK INK ON RED CARD STOCK. WHITE TAPES WITH GREEN/GOLD HAND-PAINTED ARTWORK. INCLUDES LYRICS. LIMITED TO 44.

JUSTIN MARC LLOYD – ‘YEAR OF THE WATER DRAGON VOL. 1’ C62 $7(USA)/$8(CAN&MEX)/$10(WORLD)
EXTRA COPIES OF THIS TAPE WERE DISCOVERED UPON MOVING ACROSS THE COUNTRY. MISTAKENLY HUGE SHEETS OF THE ARTWORK WERE ALSO PRINTED DURING THE PRINTING PROCESS FOR THE ORIGINAL. THEREFORE, WE’VE PACKAGED THESE 5 EXTRA TAPES IN POLY CASES WITH ONE SHEET OF THE MISPRINTED ARTWORK EACH. ALL OF THE MATERIAL IS THE SAME, BUT THERE ARE NO LINER NOTES. ONLY A SHEET OF A CROPPED PORTION OF ALYSSA HERLOCHER’S ARTWORK.

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MY CAT IS AN ALIEN – ‘Art Is A Tear Of Noise And Infinite Silence’ 2LP
Deluxe, full-color heavyweight gatefold jacket; 12″x24″ cover art painting by Roberto Opalio. “Clandestine auteurs the Opalio Brothers, Roberto and Maurizio Opalio (aka My Cat Is An Alien) have deftly sprinkled our solar system with their beautifully fragile, arcane soundscapes, as well as multimedia collaborations with vanguards such as Sonic Youth, Christian Marclay, Keiji Haino, Thurston Moore, Lee Ranaldo, Jim O’Rourke, Mats Gustafsson and many more. They now present a new phase of their already-celebrated body of work by abandoning their signature guitars and “space toys” and swapping them for a new set of homemade string instruments and reassembled electronic devices. Roberto says: “Me and my brother decided to create a new beginning in sound: I started working with a totally new set of modified, de-constructed, electronic devices, while my brother self-made a peculiar double-bodied string instrument.” This double LP, made only with this new set of instruments, comprises seven instantaneous compositions, with neither overdubs nor outtakes.” *NOTE: An intentional locked groove was placed after A1 to bring the listener’s mind to reflect on the sense of the “Preludio,” the stylus will be locked after A1 until the listener moves it manually to A2 (the proper beginning of the work).

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RZDZ # 20 – Palix/Benjamin L. Aman – ‘Transports’ CDr 8€/$11
Recent collaboration between Paris based laptop composer Palix and Benjamin L. Aman, visual and sound artist born in France. These two artists started working together at The Living Currency a performative exhibition curated by CAC Bretigny, conducted by Palix for 6th Berlin BIennale in 2010 at HAU 2 and dedicated to a group interpretation of several pieces from Christian Wolff, Scratch Orchestra’ members and Cornelius Cardew. Then, both musicians kept collaborating on their own work, sharing the same interest for visual compositions and invisible travels. Transports is a 40 minutes live set recorded at 64 in Paris on january 15th, 2012. The piece explores sonic as well as mental borders between minimalistic patterns, musique concrete and analog electronics. Co-founder in early 80′ of Radio Nova, Palix has also collaborated since early 80′ with numerous dance choreographers, film makers and musicians like Bruce Russell, Jean François Pauvros, David Coulter… His film works have been shown worldwide in film festivals ((Rotterdam International Film Festival, Tribeca Film Festival …) and galleries (Galerie In Situ/Fabienne Leclerc, Galerie Michel Journiac in Paris). Since 2005, Benjamin Aman has been showing his work in galleries and museums, playing in numerous festivals, concerts, releasing his music on label such as Recordings for the Summer, No-fi, Ruralfaune… Collaboraton with Jason Honea, Leif Elggren, Michael Barthel… Transports is edited on white CDR in a limited run of 50 copies, presented in a white enveloppe, numbered and stamped.

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