I Had An Accident

Asiatic – ‘Problem: Attic & Erb N Warfare’ C35 $6
Asiatic is the sound of the street.  Developing his own style of hip hop and rap music from the inner city of Baltimore, Asiatic challenges the urban street fashion with his own brand of cultural hip hop.  Streetwise lyrics and ghetto beats, self-produced and constructed with a methodical flow of lyrical stylings straight out of the city.  The stress of living on the street, Problem: Attic explores the hardships of the struggling hip hop artist in the down that just says “Believe” with little hope of ever alleviating the daily routine.  A laborer by day, Asiatic conforms and constructs the city’s essence in hard hitting tracks and sensual beats.  Combining two EPs, Problem: Attic, a rising above, being true to oneself and loyal to your roots; and Erb N Warfare the true expression of the street and the culture that surrounds it.  Limited to 50 with mp3 download with purchase.

Heart Heart Julia – ‘Damn’ C30 $5
Damn is the repressing of an old Afternoons Modeling split with Julia Ladense on cdr. Damn features Justin playing some darker guitar pieces with George Dutton rounding out the album. The darkness comes from a period of time in which Maryland was receiving one of its hardest winters ever, and after a few blizzard like snow-falls, the album was recorded. The feeling of being trapped inside and the helplessness of watching the snow increase inch by inch was frightening as darkness overcame the already cloudy night. The hollow sounds were desperate and cold. Uses a broken amp that created unplanned crackles and the sound of an emergency vehicle storming through the night, Damn is beautiful and lonely. Limited to 20 on red liner cassettes.  Mp3 download with purchase.

Heart Heart Julia – ‘Soundtrack For Anthropologie’ C66 $5
Written in 2006 as two long experimental guitar pieces reworking Nelson’s classic “After The Rain” and an abstract interpretation of Boston culture – Soundtrack For Anthropologie is ironic and dramatic. Reworked and finally completed in 2012, the gravely instrumental pieces prolong the unique style and blend of distance typical of Heart Heart Julia. This new version, now on cassette, features new artwork and ivory cassettes. Limited to 15 on ivory cassettes and chrome tape.  Mp3 download with purchase.

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Razzle Dazzle

Palix – Benjamin L. Aman –  ‘Transports’
RzDz # 20 – 50 copies. New collaboration between Paris based laptop composer Palix and french artist Benjamin L. Aman. Both started working together in 2010 at The Living Currency a performative exhibition curated by CAC Bretigny, conducted by Palix for 6th Berlin BIennale at HAU 2  and dedicated to a group interpretation of several pieces from Christian Wolff, Scratch Orchestra and Cornelius Cardew. Then, both musicians kept collaborating, sharing the same interest for visual compositions and invisible travels. Transports is a 40 minutes live set recorded at 64 in Paris on january 15th, 2012,  exploring borders between minimalistic patterns, musique concrete and analog electronics. Transports is edited on white CDR in a limited run of 50 copies, presented in a white enveloppe, numbered and stamped.

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ConSouling Sounds

SNAILKING – ‘Samsara’
ConSouling Sounds proudly presents Sweden’s newest riff-beast Snailking. From a band who’s name nods to Ufomammut, it doesn’t come as a surprise “Samsara” is a full on sludge assault. Taking cue from bands like YOB, Sleep or Dopethrone era Electric Wizard, they forge ultra heavy riffs with a psychedelic trippy edge. The 3 tracks from this debut album span nearly 40 minutes, and brings you the finest quality sludge the contemporary doom scene has to offer. If sludge is your weapon of choice, Snailking delivers enough ammo to surely blow you away! Limited digifile edition of 500 copies.

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Like Young

LY009: The Fridge – ‘Digital Dilletantism’
Hailing from Zürich, The Fridge bring forth their masterwork known as, Digital Dilletantism. A gorgeous collection of experimental pop melodies, delicate hooks and intimate lyrics. A collection for those who love music, and those who love making it. This truly is a piece of art, and I am honored to bring it to you. /25 TRANSLUCENT YELLOW /25 WHITE w/ PINK *THE FRIDGE EXCLUSIVE COLOR*

LY010: Quiet Sun – ‘Three Colours White’
Quiet Sun presents the incredible EP, Three Colours White. Filled with delicate atmospherics, trance laced ambience + upbeat electronic hooks to make for a very special, uplifting EP.FFO: The Album Leaf, Tycho, Air etc. 50 CLEAR w/ ROYAL BLUE LINER

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Goaty Tapes

Touch of Poison – ‘Moat’ $6
Recorded in Gent near Sint-Pieters train station. Casio & Yamaha keyboards, tapes, spoken words, pre-set beats, free downloadable software & four-track. Dark melodies, terse lyrics, fours on the floors. Matthew Hopkins and I knew each other from USA/AUS. We ended up in Belgium at the same time. March 2012, it was particularly cold and dark quite early. Matthew was not interested in hanging out with University coeds. We ate frittes and watched The Raven. We liked the quiet, medieval inertness of the city. We also liked the goofiness of the old castles and stone streets. There was something not believable, almost comedic, the Atlantis Pavilion at Sea World. I don’t think we really understood. The recordings took on these dimensions: dark, still, a little ridiculous. The nacht winkel (night shop), tourists, guillotines, talking birds, The Adoration of the Mystic Lamb.

Standard Premiums – ‘Check Reality’ $6
Check Reality is not about social welfare; it’s a byproduct. Americans think the Dole is a kind of banana. Australians think the Dole is a reason to make music during the workday. What happens when people stop getting real and start chilling out? These are important political questions. Recorded in Northcote, Victoria near the 86 tram stop for Town Hall. Snare drum, guitar, bass, odds and ends, microphones, occasional laughter. Songs of laziness, melancholy, social (in)security. Recorded to four-track and dictaphone. “Got the dic”—Michael. September, 2011.

Anthrax Frankenstein/Chang Rider $6
Two collaborations from Yogyakarta and Bandung. Anthrax Frankenstein play slomo pop songs, overamplified and underperformed. Guitar, vocals, noise. Sometimes the guitars sound despondent. Sometimes the noises “twinkle.” There’s a lotta caveman here—indecipherable passages, volume fluctuations—a D.G.A.F. attitude with the middle finger in the extreme foreground. At some point the singer starts dissing harsh noise. But the songs are so forlorn and reticent that you end up commiserating with these guys. Are they pissed or just depressed? Chang Rider play marginally faster, marginally cleaner rock/pop songs with marginally more sophisticated instrumentation. Snare drum, floor tom, microphone, synthesizer, and piano. Sometimes the singers change, sometimes the piano sounds “jazzy.”

苏维埃·波普/ Soviet Pop – ‘Record of Adventures in the Spider Hole’    $6
Recorded by Li Qing & Li Weisi at Rose Mansion Analog, Beijing. Inside the first Ring Road. Korg MS-20, modular synthesizer, floor tom, microphone. Soviet Pop let you choose between compositions and songs. This is a tape of songs, dark, minimal, and pedestrian. They even have names like “Worldview Song” and “Samurai Song.” Li Weisi does simple, groovable bass passages and stoic baritone vocals. Li Qing does rhythmic static, noise-generator backgrounds, timbrel burps. Coco Chanel used to say, “before you release your tape, look in the mirror and take three things off.”

‘Public Limits’/’Personal Limitations’ $3/$5
Two accordion booklets printed at Dawn Press. Public Limits navigates the boundaries of suburban spaces. Walls, fences, cones, tinted windows, physical and visual obstructions. Personal Limitations gawks at the ways that some people impose such things on themselves. Perforated for tearing and sharing.

R. Walker – ‘Legendary Sleeves’ $4
Legendary Sleeves is Russell Walker’s first published collection of poems. Walker sings for the Pheromoans, a “punk” band from “London.” I remember laughing out loud to some of his lyrics, something about a Dutchie and a Danish. I thought that perhaps Walker knew how to party. These poems are short. Sometimes narrative, sometimes abstract, but always mundane. Walker doesn’t find magic in the ordinary; he renders ordinary anything that promises magic. Affection, popularity, musicianship, all won out by domestic boredom and regular drinking. But somewhere in the kerning there’s a dry melancholy that threatens to pull the tongue away from the cheek. I think Russ would call that “humour.”

Mole House – ‘Demo’ $6
Early demo recordings from Melbourne’s Mole House. Some real songs with drums and guitars and singing. Some fake songs as well.

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Enough

Nega – ‘Live at Kuucvaals 2011’
[EN] Live bootleg of Finnish project Nega live at the Latvian Noise festival Kuucvaals in 2011. Performing a set bridging from experimental ambient to powernoize and spoken word. The quality of the recording is a bit dodgy but good enough to feel the experience if you play it on a proper sound system.  [PT] Gravação da performance do projecto Finlândes Nega ao vivo na edição de 2011 do festival de noise letão Kuucvaals. O set varia entre a electronica ambiental experimental, o powernoize e o spoken word. A qualidade da gravação não é a melhor, mas suficiente para se sentir a experiência do projecto ao vivo.

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House of Alchemy

Rust Worship – ‘Terrestrial Society’ C20
Two side-long forays into deep cranial floods of sound. Thundering drone, cavernous analog hum, hair-raising thrash. Sounds from the dark side.
c20 edition of 100.

Clay Cantrell – ‘The Tree Farmer’ C32
Hypnotic folk stylings echoing in from Tennessee. Smoky, dream-like finger picking, hypnotic mournful piano, and jabs of electric guitar testifying, all in a half hours time. Songs of the late night or early morning, hazy and bruised but beautiful through and through. We were blown away on first listen and continue to be countless spins later. c32 edition of 100.

Venn Rain– ‘Bioharmonics’ C20
More hazy late-night sounds from the ever-awing Venn Rain. Ghostly beats lurk and gauzy synths lull. Deep soundscapes of distant echoes. This is the soundtrack to that second bottle of wine. c20 edition of 100.

Rambutan/Fossils From The Sun split C45
Split release from longtime House of Alchemy family crew. We couldn’t be happier to feature major solo works by these also members of Century Plants and Burnt Hills amongst other essential projects. Rambutan lulls you into a static, hazy coma of crystalline drone.  Fossils From The  Sun leads you in with hypnotic guitar before roaring off into the distance, dragging you along. We are elated to bring this to you. Enjoy. Artwork by Darryl Norsen. c45 edition of 100.

Chapels – ‘Last Nights’ C25
Late summer drought drones, maxed-out organ pulses, switch flips, crusted samples, and sweaty 16 ounce beer can-style glum. C25 edition of 50.

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Tranquility Tapes

Difference Clouds – ‘Shiro’ C40 $7(USA)/$8(Canada)/$10(World)
The wonderful city of Asheville seems to be a hotbed for up-and-coming experimental musicians these days, and Zach Smith’s Difference Clouds quickly leapt out as a standout project with his self-titled debut on Bathetic earlier this year. Veering away from the hyperspace sequencing that defined that release, ‘Shiro’ presents a side of Smith’s sound world that is subtler and even organic at times. With synthesizers, sourced thumb piano, and other samples, Smith creates works that patiently unfold and offer build ups that are just as satisfying as the sweet spots. Smith is another young mind impressively locked into electronic sound. Tune in now and expect more great work from Smith and his cohorts from the Land of the Sky very soon. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Andreas Brandal – ‘Turning Point’ C35 $7(USA)/$8(Canada)/$10(World)
Norwegian twilight prince Andreas Brandal is back with more of his signature audio exorcisms. For someone who’s so outright prolific, it’s simply astounding how thoughtfully and impeccably his work is composed. On ‘Turning Point’, Brandal unleashes seven eerie compositions that come together like the soundtrack to the greatest 70s horror film never made. Somewhere between Carpenter, Lynch, and Goblin, each conveys its own distinct mood and otherworldly atmosphere. Brandal is a true multi-instrumentalist, and you’d have a hard time finding a tape that combines synthesizer, acoustic guitar, and jaw harp as eloquently as this one. Shifting between gloomy abstraction and taut melodics, Brandal never lets you off of the edge of your seat.  Turn off the lights and go in alone if you dare. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Misner Space – ‘Golorium’ C22 $7(USA)/$8(Canada)/$10(World)
A tight crew of some of Hamilton, Ontario’s finest musicians, Sarah Good, Sean Gadoury, Scott Johnson (Thoughts on Air), and Annie Shaw specialize in beguiling improvisations. At once sprawling and intimate, ‘Golorium’ is a veritable cauldron of spooks and aural delights. Coventry Music brothers Gadoury and Johnson pour out a bubbling broth of guitar, synthesizer, and electronics that ebb and flow while Good and Shaw relish in the spotlight by adding deliciously twisted vocal incantations. Sounding like a pair of pixies experiencing a psychedelic meltdown, they manage to straddle the distant lines of beautiful, playful, and downright creepy all at once. Always count on Hamilton to remind you to keep it free and weird in the best possible way. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Grant Evans – ‘Solos for Muted Transparent’ C39 $7(USA)/$8(Canada)/$10(World)
Since dropping the Nova Scotian Arms moniker in favor of his own name, Georgia’s Grant Evans (Quiet Evenings) has delved even further into the rabbit hole of tape music. As he experiments with longer magnetic spools, Evans’ sounds continue to stretch even further beyond the horizon. ‘Solos for Muted Transparent’ finds Evans dropping a thick cloud of abstract haze on that horizon with two magnificent, side-long pieces. Tones simmer beneath the surface, flirt with harsher textures, and gradually reveal themselves in surprising and beautiful ways. You can only begin to guess where most of the sounds originated, but new ones will continue to reveal themselves with each subsequent listen. It’s always a good time to lose yourself in a mystery. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

All Four New Tapes: $26(USA)/$28(Canada)/$32(World)

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Teflon Beast

Netherverse/Gary Busdriver split $3
The latest musical adventure from Teflon Beast is a digital only album featuring two of the most eccentric acts on the label. Netherverse is a mysterious band whose origins date back almost twelve years to the suburbs of Dallas/Ft. Worth, TX. The group held secret meetings to make films, write poetry, and record music at a furious, nearly weekly pace. Over the years Netherverse has had some nineteen members, but largely the group consisted of three or four main collaborators. Their names and biographies are a matter of some conjecture, but in the end creativity was their only unifying rule. They recorded nearly half a dozen complete albums in their time, yet not one is currently in print. Look for reissues coming soon. Gary Busdriver has had a busy 2012. He’s been trying different recording methods, different instrumentation, and different rooms all over Austin, TX to find his ultimate vision. His latest compositions are constructed around keyboard manipulations making for some very “out-there” electronic soundscapes. Busdriver’s currently recording and album of guitar improvisations…to be released spring 2013.

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Nada

FNL – ‘ep3’ C30 $7(US)/$8(Canada/Mexico)/$9(World)
New EP of contemporary electronic music from FNL utilizing experimental composition techniques. Featuring improvised, generative and process based compositions.

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