Hospital Productions

CHRISTIAN COSMOS – ‘enthronement by god as the first-born of the dead’ LP
among the trinity of electronic projects of dominick fernow’s studies in anxiety and fear from the mythic natures of rainforest spiritual enslavement, the info wars of vatican shadow and the creator’s observation of christian cosmos. released first as a limited 4 x cassette box set now condemned to vinyl. lightning drums pound the rhythms for lost souls as the fall from paradise abounds and the trumpets of the heavens command the threshold. imagine a voiceless dead can dance sent through a black hole hence the ancient notes and structures are scrambled and returned with information loss while the cathedral floor is flushed with his sacraments. but there is a beauty in submission to belief. some have said the book is not about self improvement but faith. soundtrack for judgement of souls. first 100 copies come on ‘body and blood’ vinyl. edition of 500.

HELM – ‘geneva cave’ C30
we are proud to offer this release that shows the rawer most industrial side of helm, the new project form luke younger (birds of delay) from the uk. luke has been been making a unique blend of sounds that have reference to industrial culture, electronic noise, drone, and acoustic music and puts it together in a way that shows the listener new textures that are greater than the sum of their parts. pulled from live recordings and presented here on a tape that harnesses the true early industrial feeling that helm contains. hand painted and numbered oversize package. edition of 22. digital version coming soon.

CYCLONE SS – ‘awakening the zyklon titan’ 3xCS
this item is exclusively distributed on behalf of yoke of christ. this is the first release in ages from the label home to roman cross and astral command. recorded several years ago and now finally available in its completed form over the course of multiple sessions. absolutely raw black metal chaos. necro mythos violence. titan black metal. unlistenable. nearly and hour and a half in duration. edition of 54.

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Tranquility Tapes

Trailing – ‘Asymmetries’ C21 $7(USA)/$8(CAN)/$10(World)
Throughout his work with duos Sundrips, Dozens, and Aphid Palisades, Montreal’s Ryan Connolly has proven himself to be a mighty collaborator. Recording on his own as Trailing, Connolly’s solo work is no less powerful. ‘Asymmetries’ finds him reveling in the stillness of sound. Clean guitar loops are set forth eloquently, layered carefully, and left to dissipate into a beautiful mist. Remarkably calm and relaxing, it’s hard to think of a release in our catalog that embodies the label name more than this one. Let the sounds wash over you repeatedly and you might even believe they have the power to heal. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Albino Groupie – ‘Shadow Bong Synth’ C31 $7(USA)/$8(CAN)/$10(World)
Over the past few years, Denmark’s Mikkel Dunkerley has built a fascinating, singular world of sound with his label D’Artagnan and projects such as Pummeler, Grass Traffic, and Wax Toller. Albino Groupie is perhaps the gentlest of the bunch, combining soothing drones with Dunkerley’s signature murk. ‘Shadow Bong Synth’ finds the project lost in a narcotic haze. Low end, pulsing waves writhe slowly and ultimately give way to subtle and evocative melodies. There’s pleasantry to be found deep in the shadows, but the shadows themselves make the whole affair all the more intriguing. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Lunar Miasma – ‘Managing the Dream’ C28 $7(USA)/$8(CAN)/$10(World)
Grecian synth lord Panos Alexiadis has been releasing music steadily as Lunar Miasma over the past three years, ratcheting up the intensity significantly with each new missive. ‘Managing the Dream’ is certainly no exception in that regard, diving deep into a world of lucid dreams and nighttime hallucinations. There’s a real narrative feel to the release, consisting of two dense, long-form pieces in the middle and two short but sweet pieces at each end. Showcasing his impressive abilities as a player, Alexiadis unleashes rapid-fire keyboard solos that dance atop gorgeous melodic loops which sound as though they were imported from another realm. The dream is under your control and the possibilities are endless…what will you do next? Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

Event Cloak – ‘Reprogramming’ C54 $7(USA)/$8(CAN)/$10(World)
One half of Montreal’s Sundrips, Nick Maturo unleashed his solo guise Event Cloak last year with a stellar debut on Fadeaway Tapes, and it instantly became one of the most promising new synth projects around. ‘Reprogramming’ delivers on that promise and then some with a release of epic proportions that showcases Maturo’s undeniable talent and versatility as an electronic musician. As if scanning the dial on an outer space radio, Maturo weaves effortlessly between bouncing arpeggios, ethereal pads, FM synthesis, and samples sliced and diced to the point of glorious madness. It’s staggeringly beautiful at times, extremely strange at others, and always entirely satisfying. Turn it up loud and synchronize your mind with the machines. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 100.

various artistsDuets’ C100 $8(USA)/$9(CAN)/$11(World)
We’re ecstatic to present the first-ever compilation on Tranquility Tapes. Clocking in at 100 minutes, this collection shines a light on some of our favorite recording duos currently operating within the broad spectrum of underground music. A tribute to collaboration and camaraderie through sound, each duet brings something entirely different to the table, yet the collection as a whole flows together better than we could have ever imagined. Features new and unreleased tracks by Quiet Evenings, Super Minerals, Velvet Chrome, Brother Raven, Seziki Tetrasheaf, Century Plants, Big Sky, Afterlife, Imperial Topaz, Telecult Powers, Concessionaires, Blood on Tape, Sundrips, Grasshopper, The Circle and the Point, and Coventry Music. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Edition of 200.

All Four New Tapes: $32(USA)/$34(CAN)/$39(World)

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Bloodlust!

Anatomy of Habit – ‘Anatomy of Habit’ EP
White vinyl 12-inch in die-cut jacket with Euro inner sleeve. Anatomy of Habit is pleased to announce the follow up to their well-received, self-titled LP of 2011, which made many “best of” lists in the heavy metal and alternative music communities. Working hard in the live arena, the band has continued to present new songs and to build and diversify their audience, playing with a wide range of artists including Scratch Acid, Iceage, Secret Chiefs Three, Russian Circles, Yob, Martial Canterel and Pelican, among many others. Their new EP contains two “shorter” pieces, by Anatomy of Habit standards, at least, titled “After The Water” and “The Decade Plan.” Both tracks continue in the band’s often-praised and characteristic melding of power, heaviness, and delicacy, while exploring new sonic textures and composition. Novel to this record is the inclusion of grand piano and string synthesizer, which blend in with the group’s increasingly well known drum and percussion rig coupling, and their melodic and swelling bass and hypnotically looping and caustic guitar parts. The new songs were recorded by John McEntire at Soma Electronic Music Studios in Chicago. McEntire is well known as both a recording engineer and as the drummer in Tortoise, and his expertise and dexterity in the studio helped the band fully realize their vision for this release. The record was mastered and the lacquers were cut by Bob Weston at Chicago Mastering Service. Weston, who previously worked on Anatomy of Habit’s first record, is also well known as the bassist in the band Shellac. The two-part sleeve, which includes the group’s “five nails” logo as a die-cut, follows the design format of their first record, but it also adds a sense of color and heightened beauty that echoes the tone of the new songs. The striking design was once again executed by Jonathan Canady. To further solidify the concept for this release and to distinguish it from its precursor, the records were pressed in white vinyl.

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Already Dead

AD042 – Teenage Tasteless – ‘Bartam Shumak’
Artist Location: Berlin, Germany. Edition of 40 on white c90s. Design by Samuel Weikopf / Joshua Tabbia. “Some music is just a journey and then after awhile of listening – you end up gone with the wind. Hailing from Berlin, Teenage Tasteless brings you the sounds from their new album, “Bartan Shumak.” A dark electronic mix of six extensive tracks, bringing you all kinds of goodies, (not too sour, not too sweet, just about everything for the normal taste buds.) Let me just say, if you’ve ever liked anything that we have released this is a definite ‘must-have-album’. Teenage Tasteless brings us a fresh aftertaste, with electronic sounds of dark-chocolate echos, layered on top of bitter drones that twist, shout and purr. A few piano chords, drum machines and the fundamentals of haunted solo singing voice will at times accompany the blends in the album. A couple of the tracks push beyond 12 minutes, and will have several movements to the song, still bringing together the whir and the buzz of something new and beautiful to the diversity of a completed noise mix. Its a dark, tried and true sound, pushing the instruments until they finally distort within the coalescence and end with a somber harmony and a lasting impression.” -Ray Jackson, Already Dead Tapes 2012

AD041 – Br’er – ‘Deviation’
Artist Location: Philadelphia, PA. Edition of 50 on white c32s. Design by Darian Scatton / Joshua Tabbia. “Br’er is one of the all too rare bands seeking to make honest music outside of fashion, hype or influence. This is creative expression that still sounds fresh and exciting. A captivating experience that surrounds the listener and gives a lasting impression. Deviation marks a turning point in the evolution of Br’er. The music expands upon their previous ‘City Of Ice’ and features several alternate versions of songs from the album. This is the band’s last full length release before shifting into a more electric and heavy sound. Acoustic guitar, violin, cello, harmonium and auto harp give this album a very human and vulnerable quality. Dark subject matter over beautiful and hypnotic arrangements. Music worth hearing multiple times.”  Sean Hartman, Already Dead Tapes 2012

AD040 – Dominic Pierce – ‘West’
Artist Location: Calgary, AB. Edition of 40 on clear c30s. Design by Robert Huston. “I got depressed for two years after starting a garden behind a strangers house in Detroit. After the two years I walked back there and found a great blooming plant growing more than I could ever imagine. I came across the music to explain what I felt. Dominic, a hard-working and progressively industrious musician traveling throughout Canada and the US, making simple instrumentals with the minimalist sound of electroacoustic songs. His new album “West” to be released on Already Dead Tapes will keep your foot tapping, fingers snapping and images reeling in your head of good retrospective thoughts. Upbeat beats buried below layering guitar riffs and harmonic electronically tuned chords – an easy-dance album to play throughout the day with bright chord structures and groovy breakdowns.” -Ray Jackson, Already Dead Tapes 2012

AD039 – Alpha Couple – ‘Covers’
Artist Location: Toronto, ON. Edition of 50 on white c62s. Design by Kristel Jax / Joshua Tabbia. “An expression of a nightmarish landscape, but somehow, it sounds too human for something like a nightmare. Alpa Couple is a group that turns inwards; blending the voices into experiments and public conversations as music. The ambition is consistent as it seeks imagination, but even more profound and unique is the vulnerability the two musicians deliver. Wherever the voice lacks words, the singing drives with an emotional lament and a sorrowful cry. You can view the compositions as perhaps haunting, or you can listen to it and think of something surreal. Either way, the duet demonstrates a human quality, an expressive glow, and, of course, one great album.”  -Ray Jackson, Already Dead Tapes 2012

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((Cave)) Recordings

Bre’r – ‘OLSB Music No. 1’
A chance meeting with D.A. Fisher on the streets of Oakland, California led to an exchange of tapes and our first exposure to the brilliance of his Bre’r project.  The tape was the sprawling masterpiece, “Dhome Herder” (Baro Records), which immediately prompted discussions about the possibility of a future ((Cave)) release.  Needless to say when we received this tape we were beyond excited. OLSB Music #1 represents a refinement of the Bre’r vision.  While a bit more concise, these tracks still take their time, slowly enveloping a wealth of sonic activity just beneath the surface, evoking a solitary walker of urban streets, out of step with the surrounding pace on the concrete, yet abiding with it, witnessing the frenetic activity in soft focus. -C-30, edition of 100 -Home dubbed on Type II Cobalt  -Art by D.A. Fisher.

Evan Lindorff-Ellery/Chapels split
Evan Lindorff-Ellery (Dense Reduction, Notice Recordings) and Adam Richards (Chapels, House of Alchemy) are two major figures in experimental music.  Their eclectic, yet impeccable labels display their open ears and subtle understanding of sound.  Likewise, their respective music projects have incredible depth and range. Evan’s piece, while a departure from the field recordings presented on past recordings, is no less intriguing as it takes on the domestic landscape of an apartment and the activity within.  Evan is a master at collecting and assembling novel textures and timbres: objects can be heard quivering to life as a hive of activity builds and thickens to an almost overwhelming climax. Chapel’s side blends together home and live recordings into a dark, reverberating collage.   Wolves howl as mysterious movements echo in a space that is at once a  forest teeming with nocturnal rustling, and an abandoned building occupied by participants of some strange rite. -C-64, edition of 100  -Pro-dubbed on Type II Cobalt-Art by Rob.

The Ether Staircase – ‘III’
The saga continues on our third full-length tape which pulls together recordings made last winter and presents some odd gems.  Side A is a dust devil, swirling together thrift store tapes while several keyboards of unknown origin struggle to navigate the murk.  Side B is a slow burning epic that Ben thinks sounds like a primeval forest, while I would put the whole thing at the bottom of the ocean. -C-32, edition of 50 -Home dubbed on ferrite cassettes  -Art by Ben and Rob.

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Skitter+p6

Skitter+p6 7″
it’s a self-released 7″ of electronically-processed vocal improv… six mangled noise states aurally identified and condensed. 100 copies in screenprinted sleeves with obi strip.

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Vales – ‘Iridial’ [Review]

Like a capsule from a very recent era, the collection ‘Iridial’ captures so much symbolic of the CDr boom circa 2007– and ironically from a project that’s never before appeared on CDr.  That is, Vales, the youthful project of 2AM Tapes proprietor Dave Doyen, is here not archived but (self-) monumentalized with a four-disc collection of drones, hand-painted discs in an over-sized clamshell.  Pegged directly to the analog synthesizer manufactured by Casper Electronics, each disc-long track exploits the inner space of the bedroom composer and the organic induction/deduction dialectic of the analog consumer format.  To put the sound in quick relief, these are standard drones (that is not to say substandard, or redundant – which would take a whole treatise on “drone” as a form) which err to the bright, granular, wall-to-wall, and melodramatic practitioners from Emaciator, Taiga Remains, Daniel Menche, and the like.  Each disc contains a number of significant transitions, making each a listening experience more engaged than not – more to the front of the mind’s ear than the back, so to speak – and without being reduced to a demo collection for the Drone Lab technology, exhibit their own identities as discs: yes, there are the gaps and peaks to disc two’s noise which distinguishes it from the throbbing abandon-ship of disc three – more like a Pulse Emitter adventure than the abstracts of disc one’s wall sound – and still then unique from the tenacious aggregate drone of four, which recalls the monoliths found lurking around Basses Frequencies.

Yet despite all this (and despite the fact that it is this sound which truly matters in the end), what bares the most conversation is the medium which Doyen and his contemporaries have chosen for presentation: seeking to transport these long-forms, it’s less certain that he’s seeking to wall them in with the 5” circumference of the CDr; if there wasn’t such a smart distinction between the pieces, it would be ridiculous to even claim an edge to one, let alone how to add a 2nd, 3rd, or 4th cut.  The distinction between that bygone era of CDrs and now is the imposition, pragmatic to a fault, of the cloud server and applications such as Bandcamp for supporting what are surely thousands of like-minded drone technicians (as sourced to something like youarenowlisteningto___), not to mention the back-catalogs uploaded (some say “stockpiled”) by the minute.  There is a challenge in here somewhere, which fashions the eternal music of a drone and volunteers it for a 78 minute or less life-course (we are also post-CD changer).  What are we listening to, and what are we listening for?  Is it really not what we’re looking at?  Or what we’re giving each other?  And like any true challenge, there’s a good chance we won’t win this one no matter how good it sounds in the end.  Total running time is just shy of 3 hours, though some copies come with a bonus disc of re-released material from the tapes ‘Sun Sick’ and ‘Fever Monument’.  Edition of 48 copies.

self-released4CDr
$14
HERE

Hare Akedod

ARK TABLET C25
Limited Edition of 25 Olive Green Audio Tapes in vintage cassette case (mustard yellow, textured black, white or dark grey) with fullcolour double sided artwork and insert. Recorded june 7th, 8th and 9th 2012 by David Edren at ll150, Antwerpen.

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Orila

Mecha/Orga – ’18:36′
Field recordings that took place in various countries (Belgium, Greece, Lithuania, England) between 2010 and 2012, were used for the composition of this piece. Segments of the recorded material were selected according to the needs of this composition which took place in Klaipeda, Lithuania between March and April of 2012. 18:36 is divided in four chapters, through which the combination of industrial sound and sound produced without any human activity is dominant. Mecha/Orga is the project and recording name of Greek sound artist Yiorgis Sakellariou, a self-taught musician working in the arenas of computer music and field recordings. Having a background in classical and folk (Mediterranean) music, he came to develop his personal language during the ’00s. Since then, he has been active internationally being responsible for solo albums, having composed music for short films and theatrical performances, leading workshops and ceaselessly performing his music around the globe. His practice is founded on the digital manipulation of environmental recordings. His palette of sounds is all-encompassing; from vibrating rail-tracks to refrigerators’ static, and from noisy waterfalls to the humming of insects, all may find their place in his arsenal. He only performs in absolute darkness, fostering an all-inclusive and profoundly submerging sonic experience. Also a member of the Athenian Contemporary Music Research Centre (founded by I. Xenakis) and of the Hellenic Electroacoustic Music Composers’ Association. Since 2004 he runs the label Echomusic. 350gram velvet paper. Silver Cd-r. Design by bend dot gr and orila. Edition of 60.

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Jansen Plateproduksjon

Wind – ‘Sleep’ EP 19€
Wind is a norwegian psych rock trio consisting of Filip Ramberg, Martin van Houtum and Fredrik Severin. A trinity of close friends that share a vision of sound – with more than enough of neverending drumrolls, spaced out guitarlicks and organic bass. Wind are inspired by the psychedelic rock of the 60s, folk music from the East and spiritual jazz. Their new EP “Sleep” is a two-cut outing that blends traditional psych rock and touches of folk, stretched out with improvisation captured in the studio. It’s a dreamily hazy turbulence that rolls and churns across the ground, keeping their feet free and the collective head in the clouds with a focus that keeps the lengthy cuts from dispersing into formlessness. Wind freely mine a recognizable psych that has solid roots in the 60s, while sounding throughly modern and fuzzy in all the right places. Throwing Stones eases in with an almost Hendrix-y circular vibe that gathers more detail and slow-burn heat as it flows out. Guitarist Martin van Houtum and drummer Filip Ramberg share the vocals, dovetailing in perfectly with Wind’s languid groove…loose, but never lazy or loopy. Throwing Stones moves from misty psych pop into a longer muscular work out that organically unfolds. Cathedral seeps out into a sleepy percolating boil, getting a touch Floydish in parts and working into a frothy bubbling that dissipates gently out, chiming guitars working with rolling drums and bass to blur the finish line. Wind have a firm, but gentle, grip on the waking edge, shifting from one side to the other without feeling unstable or worse yet, uncommitted. Both tracks feel comfortable stretching their legs out and hint at a full length that would take their brief Sleep to full dreamtime. 500 copies – all on white vinyl.

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