Captcha

Phil Cohran and Legacy -‘African Skies’ LP/CD $11/$9
Captcha Records is proud to announce the arrival of “African Skies”, the most recently recorded album from the visionary Brother Kelan Philip Cohran and his band Legacy. This record was influenced and realized in 1993, shortly after the passing of Brother Phil’s friend, mentor and band mate, Herman Blount (Sun Ra) and was exhibited at the Adler Planetarium in Chicago, Illinois that same year. By channeling the energy of Sun Ra, Brother Phil brings us closer to enlightenment, closer to the cosmos with melodies that are as ancient as time itself. Sun Ra believed that music is the voice of the spirit and it is the energy that we want to live in, and Brother Phil received that. “African Skies” is a nourishing and inspirational document showing the maturity of one of the most visionary musicians of our time.  “African Skies” is the first record to be released since the stellar “Malcolm X Memorial (Zulu/Mississippi)” record in 1969.

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Echo Tango

etc01 Aqua Dentata – ‘Lesbian Semiotics at a Jewellery Table’ CDr £4(World)
Following March’s ‘Seventh Past the Umbrella’ cassette, Aqua Dentata return with another luminous passage of fringe psychedelia, recorded live in a domestic setting in East London. Tiding electronic tones intertwine and drift across a half-hour sprawl of wonky harmonics and skewed mental space. Mastered by Phil Julian (Cheapmachines).  50 copies.  SAMPLE

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Bathetic

COUGH COOL – ‘LATELY’ LP
In essence, Philadelphia representatives Cough Cool’s debut vinyl long-player, Lately, is a slow-burning, bedroom-based, fuzz affair. Equally channeling the influence of My Bloody Valentine & Ween, the album comes across as a swampy 90s alternative-pop record of the highest caliber. This band would be touring with Guided By Voices if this were to have dropped in 1994.  Lately brings a wild pop sound to the table, but Cough Cool isn’t afraid to leave the dirt firmly under fingernails and a layer of grit across the music. This isn’t just some haphazard, trendy, lo-fi aesthetic we’ve seen done to death since 2008 either. The way the music oozes, lazily, out of speakers is all in the process. It’s all part of the escape. It’s all part of the magic of the project… AND the songs?? Classic fucking shredders. Cough Cool is pop music, deconstructed and rewired to create 2011’s new traditional Alternative era. There’s a way of blending the influence of past forefathers with modern-day peers (Blank Dogs, Dirty Beaches), that creates an entirely new, unpolished, unique, and perfect sound.   This is the type of shit you’d expect to see post-midnight on 120 Minutes back in 1996, and it works even better now.  P.S. the title-track, “Lately,” would make the perfect backing to a creepy David Lynch film’s opening scene.   Edition of 300.  SAMPLE

COUGH COOL
– ‘Basement’ cassette

Basement comes creeping from behind a cracked door, right as Lately – the debut full-length vinyl from Cough Cool – breathes its first breath of life.  Recorded directly after the Lately-sessions, Basement is a raw, instrumental stab in the gut.  The vibe within: six minimal tracks cruising you to the strip; head heavy in the clouds, fuzzed and blissed.  50 copies only available packaged in tandem with Lately, in a special set.

ZAC NELSON
– ‘SOUND A SLEEP SOUND’ LP
How do you describe magical, ethereal creatures that slide out of night skies and into your bedroom, offering a welcoming hand extended to invite you on a journey and a warm embrace after they’ve put you back to bed? Almost indentical is describing the odd wonder of Sound A Sleep Sound, a dynamic album that rockets out of the niches built by genre standards like ambient or drone. No, this is cosmic soul-searching, boiled down into 40 minutes of nebulous-pink, gooey extraterrestrial love.  On this wax saucer, Zac Nelson, of CHLL PLL and Hex Love fame, throws down two side-long floaters bent solely on mental coaxing into another zone. Patient, yet involved tones slip and shimmer into and out of perspective. The sounds liquify and coat your entire persona. Sit a spell in a dim room with the lovely drifters encased in wax. You will find yourself waking into a new reality. Your head might feel swimmy and your heart a little heavier.  That means you’re newly alive.  Edition of 250; 125 white vinyl / 125 gold vinyl.  SAMPLE

DINNER MUSIC
– ‘ELECTRIC HOKUM’ cassette
Rick Weaver, of Human Conduct and New Flesh fame, is hitting the boundaries of musical excellence with his new solo work. Welcome to the off-the-wall insanity project entitled Dinner Music.  Truly, this is a tough cookie to define on a website, so for the best description possible, just click the play button and hear a sample – but that’s just a scratch on the spectrum. Maniacal oddity combined with pure brilliance, this stuff is floating in it’s own realm. Characterized by it’s freak moments, it has a Zappa-styled diversity to it – There’s synth mayhem, cinematic flair, noir-ish soundscapes, beautiful sunken melodies, perhaps even nods to…Suicide?  This is one for the history books, dudes and dudettes. Just reach in, grab hold, and never let go.  Edition of 75.  SAMPLE

ANGELO HARMSWORTH
untitled cassette
Angelo Harmsworth is bringing wonderfully textural pieces to the table here. His untitled cassette is perfect for autumn landscapes; switch off your worry and set yourself to drift. The tones are sepia, soaked in natural ambiance and easy to fall into. Something about this recalls the likes of a more folk-centric Sean McCann or an unwinding Fennesz, or even perhaps trips into the area reached with collaborations of Ryuichi Sakamoto and Alva Noto.  This is an awe-inspiring ode to the beauty around us. Elegant, exquisite, and wistful, Harmsworth’s work is open and alluring, this is definitely one to soak into…  Double panel jcards are printed on handmade Wildflower seed paper. You are given the choice to plant or keep. With proper care, these seeds will sprout into lovely wildflowers.  Edition of 50.  SAMPLE

MOTION SICKNESS OF TIME TRAVEL & LISTENING MIRROR
split cassette
Bathetic is pleased to bring this limited edition split cassette from two wonderful up and comers in the realm of beautiful ambient soundcape music; Rachel Evans’ Motion Sickness Of Time Travel & Jeff Stonehouse’s Listening Mirror.  This comes hot off the heels of Bathetic’s initial Listening Mirror release, the breathtaking The Heart Of The Sky.  Motion Sickness Of Time Travel has been steadily builiding a name for itself, as Rachel Evans creates absolutely dream-like fields of musical texture. Recalling, vaguely the likes of Grouper or Sparkling Wide Pressure, Evans submits long, shimmering pieces that travel from concrete droning tone to heavenly, dense reverb-bliss. Shaking the dirt loose from the folds of your hands. This is heavy, heavy, heavy; in the purest, most blinding way.  Listening Mirror is becoming another name to follow, as Jeff Stonehouse keeps bringing the most intimate ambient music to our ears. For this split, we’re set to the skies with long-reaching synth sweeps and a beautiful backdrop of bassy drone. Soon, voices emerge, the sky becomes thick and heavy. Glorious, bright, and intense. This is not background music. Crank it and find yourself worshipping the sun, the stars, and reaching towards the heavens.  Edition of 100.   SAMPLE A ; SAMPLE B

Mattress – ‘Lonely Souls’ [Review]

AWOL Dolby-droid Rex Marshall (Mattress) is back at it with half a platter for the very fine Field Hymns label, following his 2008 LP debut (which apparently passed us by), and in time for the vinyl reissue of his ‘Eldorado’ EP from way back when Animal Psi was still feral.  Very amenable to those six tracks are the six tracks of ‘Lonely Souls’: comparisons stand to the delivery of Ian Curtis (now a little lower and a lot slower) and Suicide (the soundscape all electronic and slightly screwed), now with more emphasis on beats and precision layers of textured low-end.  A pulsing rotary complements the quavering layer of woahwoahwoahwoooaah on “Lied Again.”  “Shake Me” is not some Happy Days barn-burner, but a blackened church-burner of Danzigian defiance (“you can’t shake shake shake/you can’t shake shake shake/you can’t shake shake shake/shake me loose”) with a sequence of jerky dollops.  Live drumming from Ethan Jayne on “Dead Ends” cribs the flakaflak intro to Faith No More’s “Midlife Crisis”, sounding something like a MIDI-fied Black Keys with its organ rhythms and laundry list of bellyachin.  Closer “Only Lonely Souls” loops us back around to Joy Division’s “Dead Souls”, though shot-through with a cosmic beams, souding more like “Transmission” with a half-rusted pogo-coil.  Worth its weight in Alternative radio references, Marshall’s obvious contribution to the broadcast will be “Forget My Name”: made of the same 4 or five layers of choice vibe, the harmonics align and the groove locks, forcing even Marshall into the upper registers, harmonizing with second vocal tracks, punctuated by little rivets of electronic foible and stomping percussion.  On imprinted red cassettes with glossy inserts, hand-numbered with a DL code.  Recommended! 

Field Hymns cassette
$6
HERE

Deathbomb Arc

Deathbomb Digital Singles Club Year 2
The second year of Deathbomb’s digital singles club starts the first week of January 2012!!!In the tradition of the Deathbomb Arc Tape Club, Deathbomb is excited to announce the second year of the Deathbomb Digital Singles Club. Embracing new trends in digital technology, this club expands on our mission of bringing you new music, from both well known and totally underground bands, at an unbelievably affordable price. Year two begins the first monday in January 2012, and goes through the end of the year. Subscribers will be send a secret link and password to at least 2 previously unreleased tracks every other week (plus bonus weeks!). If you are joining after the club has begun, you still get access to all the singles already sent out. So it is never too late to join! Every other week (again, plus a handful of bonus weeks) will be a different band covering a huge variety of genres from noise-rock to breakcore, from witch house to new age and more. Each digital single will have gorgeous animated art made for it by Isaac Hicks. The tracks will be made available in streaming, hi-res and mp3 quality. For the mere $10 subscription cost, you will end up getting these previously unreleased tracks for less than 20 cents each. Here are just a few of the acts confirmed so far: R Stevie Moore, AIDS Wolf, Dustin Wong (ex-Ponytail), Stupid Future (members of Male Bonding, Foot Village, LA Vampires, tik///tik), Buff Chix (member of Cloud Nothings), Moses Campbell, Kevin Blechdom (member of Blectum from Blechdom), ALASKAS, No Babies, Totem Terrors (ex-Joy of Sex), Broken Shoulder, WEED NIRVANA, Human Resources, NU Depth, Yola Fatoush + at least 11 more!!!

Back To The Future The Ride – ‘Chatroom Enhancing Drugs’
I guess I should have seen this coming. Ending a journey that bends time itself is not an easy one to get off of. So, despite the recent “end” of Back To The Future The Ride, here is another album called ‘Chatroom Enhancing Drugs’. Feel like you’ve heard some of these songs before? Thats just the time bending for you. Or as the music industry would call it, a rarities compilation. So here it is, all the Back To The Future The Ride songs from comps and singles, plus two unreleased tracks (“Ghosts Outside of Argentina” & “The Cathedral of Orange in the City of Red”) and an unreleased remix by SatisHouse. All for free, with gorgeous artwork by Peter Burr. Get it.

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Boring Machines

HEROIN IN TAHITI – ‘DEATH SURF’  LP
A duo from Rome, Italy, Heroin In Tahiti is composed by Valerio Mattioli (AAVV Videos, Thetlvmth) and Francesco De Figuereido (Opium Child), both hailing from the so named  Borgata Boredom scene, a sort of local community based in  Roma Est (East Rome), the crumbling and deteriorated neighborhoods which were already immortalized by Pasolini and Neorealist Cinema (think of Pasolini, De Sica, Visconti etc).  The duo plays a variety of cheap guitars, analog synths, drum machines and pedals, achieving a dirtiness which is tragically lo-fi and out-of-time at the same time: a  Spaghetti Wasteland , as they call it.  Think of drinking a frozen Daiquiri on a solitary beach while watching a poorly tuned TV broadcasting loops of  If You Meet Sartana Pray for Your Death , while Mururoa tests are happening at the horizon.  If this was the soundtrack of the end, it couldn’ t be more doped.  LISTEN

SIMON BALESTRAZZI – ‘THE SKY IS FULL OF KYTES’ CD
With a 30 years spanning career, Simon Balestrazzi is one of the most active and internationally acclaimed italian sound designers. You can read his impressive curriculum here.  His first solo record for Boring Machines is a continuosly evolving path of industrial detritus, electro-acoustic fluorescence and soundscapes. LISTEN

RELLA THE WOODCUTTER – ‘THE GOLDEN UNDERTOW’ LP
With a 7″ and a CDEP already out on Boring Machines, in 2012 we will release a new full lenght by this musician/songwriter with the Midas touch. The new album shows how good is songwriting is and how easily Rella can pass through noisy psichedelia and soft acoustic strumming, mantaining a unique and personal style.  LISTEN

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Dokuro

DK034 Fear Konstruktor – ‘Ushabti’ CDr 6€
Fear Konstruktor is a brave new sound from Russia,inspired by brightness and vibrance of modern world. However it contains retro-futuristic touch as seen  through the prism of ultramodern devices.All that chik-chik and wao-wao are just words  of the significant phrase…Listening to FK is being inside yourself and outside our Universe at the same time. Because those billions of living sounds are caught for you  by daring one. All tracks was produced in 2010-2011 by Fear Konstruktor. “Ushabti” comes in a ltd editon of 60 CDr, cover drawing by Artaksiniya  and art layout by mic/nodolby.

DK033 Compoundead – ‘Sink’ C30 5€
Rumbling low end frequencies coming from contact mic feedback, wildly modulated and  sculpted with electronics fx  into  pulse-based jams, three tones of electricity debris who collapse in slow motion under and above  suspended drones. Compoundead dyad  from Italy  explore poetically a gentle side of noise, their  work is a continous interplay and each squelchy  is a reply to other myriads of sounds detritus and repetitive hums into a complex and hallucinatory descent in bleaky landscapes. “Sink” comes in a ltd editionof 50 c30, art by mic/nodolby

DK032 Musculus – ‘Not in’ CDr 6€
Musculus is a three dweebs choking out a morbid death dirge onto rotting tape, their last work “Not in” open with a track designed around tapes recovered from a box found underground with the help of a metal detector (!!?!) and close with a cryptic seashore  filed-recordings . Their metamorphosing sound deambulate through anxious haze of voices and plunderpohic echoes of  ’80 horror soundtracks  to noxious field recordings. “Not in ” comes in a ltd edition of 60 CDr, artwork by mi/nodolby.

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Veyou – ‘Swamp Hag’ [Review]

Nick Hoffman and Stephen Holliger present their fourth release of “basement electronics” as Veyou.  Continuing their concréte method of recording live to tape, the pair capture as much lucky sympathy as cluttered garble in this processual image.  At 30 minutes, the single track of ‘Swamp Hag’ is thrice the length of their last release, and unlike the parsimony of ‘Carcass in the Mist’, ‘Hag’ takes a mud/wall approach: in the cavernous howl of the recording space, we can feel the movement of the players as they grope from source to source evoking musty calliopes, spaceships, and early Robedoorian clouds, hanging low in the dark tombs.  Even without skipping the breaks along this sound spectrum are obvious, arguing a bit of editorial snipping is in order to emphasis the 5ish minute stretches of real greatness (circa 3:20, 11:11, 20:05).  Self-contained in basement, yet unbottled as noise, the pair fill the sonic room with great resonance and casual movement like there’s just the right draft breathing through.  But if they desire more than to repeat the life of Buried Valley, Veyou will need to show us what’s outside the basement – even if they keep us locked inside.  50 copies pegged to paper inserts with glitter paint.

Pilgrim Talk CDr
$6
HERE

Upside Down

TELEfonoBALAfono/HERBAL RESEARCH split cassette
I first heard TELEfonoBALAfono a few years ago on a (now) prehistoric myspace website and i almost fell from the chair.  A raw and plastic collection of music compositions recorded on a “broken 4 track cassette recorder” as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we’re living in the now.  Each fragment doesn’t exceed the 3 minutes of lenght creating short audio-visual voyages that continously send back to the italian cinematic and tv imagery.  On the other side HERBAL RESEARCH is the moniker for italian artist Cristiano Carosi (Sea Dweller, Telepathics) who debouts with this 15 minutes of fluid sonic waves  using vintage Crumar sinthesizers and elaborated loops and samples in the attempt of bringing you the benefits of the analogue electronic using frequencies as a solution to your bad energies.  14 minutes of audio images for what could be a lost soundtrack to the classic post-Pasolini cult movie “Amore Tossico”. release date September 15th 2011.  Limited to 50 red cassettes with full colour artwork.

HERBAL RESEARCH – ‘Sound non Sound’ cassette
HERBAL RESEARCH is the new project from italian musician Cristiano Carosi (see also Folded, Sea Dweller, Telepathics) who’s taking a new jurney of experiments with sound collage and electronic. “Sound non sound” is a 15 minutes long session of samples, toy beats and synthetic waves that travels back in time to investigate some of the unexplainable mysteries of the recent italian past, made of disappearing aeroplanes and exploding train stations. A deeply describing music that manages to stimulate undefined images and shapes to the mind of the listener. Limited edition of 50 green tape cassettes with full colour artwork.

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Divorce

MY CAT IS AN ALIEN – ‘Living on the Invisible Line’ LP
Since 1997 Italian brother duo My Cat Is An Alien has been documenting an ever deepening musical dreamscape, their massive body of work representing some of the most emotive and soulful improvised experimentalism in underground music. Recorded in a remote region of the Western Alps, this latest LP navigates especially tranquil territory as it builds blissed-out pastoral mirages, dappled just slightly with glimmers of an outer darkness. Like much of the duo’s best work, Living On the Invisible Line aims for transcendence, leaving behind only spinning heads and zoned souls. Art by MCIAA. Edition of 500.

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