Category Archives: UPDATE

Jozik

Kösmonaut – ‘Emanations’ C60 6€(EU)/7€(World)
Synth arpeggios and pulsating drum-machines, a soundtrack for intergalactic travels. Soft poly cases with hand-stamped inserts. Limited to 50 copies.

Kheta Hotem – ‘Live at Yläkaupungin yö 2011’ C60 6€(EU)/7€(World)
The shamans have gathered again to perform their ritual, which includes throat singing, free jazz saxes, tribal percussion and other hypnotic sounds. Limited to 50 copies.

Jorge Vicario – ‘Broken Music’ C40 6€(EU)/7€(World)
Tape dust, record skipping, CD glitches – all the “broken” sounds become something new and beautiful on this tape. Soft poly cases with hand-stamped inserts. Limited to 50 copies.

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DIHD

Human Adult Band – ‘Lazy Determination’ CDr $7
One blown out skronk opener to weed out th’ right people, two jammers featuring Kevin Winter (2673, PIV, Dogo & Crackerjacks) on electronics, one tearjerker and an old favorite blown to hell by Kevin. Derek Ligget (Adult Band’s original drummer/C.O.W./Fn’ Pissed) also returns from Amsterdam to do vokills on th’ skronk.

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Pan y Rosas

(pyr059): 900piesek/rbnx – ‘prague bratislava’
About the artists: with his experimental/psych/noise project 900piesek, matúš mikula, searches out the relationships between chaos and linearity. he’s fascinated by clashes of anti-poles and inhumanity. he is currently a member of the czech-based collective of like-minded freaks, hluková sekce. rbnx is tobias potocny’s one man project that has been in existence since early 2001. tobias uses his self-constructed instruments rbnxtronics to create his take on improvised electronic noise composition. both mikula and potocny are from bratislava, slovakia. about the album:prague bratislava is a split release that documents two separate improvised performances from 2012 – one by 900piesek (prague) and one by rbnx (bratislava). air fades in to reverbed nothing, raw electricity underneath. metal chimes in a cathedral. space-ominous foreshadowing. melt/pierce into grind/crunch. buzzing drone and liquid metal over rocket roar. approach the forbidden planet and fall into the sun.

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Watery Starve

v/a – ‘Shadow Colors and Maybe Insects‘ compilation cassette
Watery Starve Press is happy to announce that its inaugural release, Shadow Colors and Maybe Insects, will be out late August 2012.  This cassette compilation features many exclusive tracks, including one from cosmic duo Quiet Evenings, forest drone-maker Je Suis Le Petit Chevalier, and New Orleans based New Age staple Transmuteo.  Throughout this hour of magnetic tape each spectral song-maker on this compilation explores disjointed spaces.  Time in disconnect. Ghosts in the mirror.

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Enough Records

Inperfektion – ‘Monsters’
Darkwave full length album by Portuguese project Inperfektion. // Album de darkwave pelas mãos do projecto Português Inperfektion.

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Zum

Neil Campbell and Robert Horton – ‘Trojandropper’ LP
Two individuals with long histories in improvised and experimental music come together through, and despite, modern technology.  Neil Campbell is an experimental musician known for his Astral Social Clubsolo project and for being a member of Vibracathedral Orchestra and a long time player in the UK noise underground. Robert Horton got his start in the San Francisco punk-noise act The Appliances and the eclectic Plateau Ensemble. After a musical hiatus he returned in the oughts collaborating often with Tom Carter, Loren Chasse, and members of Yellow Swans, as well as releasing solo material under his own name and the moniker of egghatcher. Although Campbell and Horton have never met in person, they met virtually on the Jeweled Antler mailing list. Both musicians are ridiculously prolific and prone to collaboration. They got to talking disco, probably as an antidote to all the folk and ‘how to record’ bug chatter. Campbell says, “Robert TOLD me in an email ‘one day we’ll make a disco record together’… who was I to argue?” As far as the end result being disco, Horton notes “we failed at that.” “It was a good idea,” writes Campbell, “but you’re also correct to draw attention to the missing of original target, which I really like – nothing better than the happy accident.”Horton continues, “collaborations are about being surprised and this one did that often. Just when I thought I knew where it was going it went somewhere else. We still have it in our future plans to make a dance record. ’70s retro disco with a serious virus inside that causes it to bleed drones.” Guest musicians on the album include Dan Plonsey and Hal Hughes(Horton’s Plateau Ensemble bandmate). The title references the infamous Trojandropper virus that infected Horton’s computer, eliminating many hours of work and files. The resulting album that had to be pieced back together is something that mixes organic, almost crystalline drones with off kilter beat patterns and lopsided techno. “Trojandropper” is beatific, odd, and an anomaly to even its creators, like all projects that take on a life of their own.

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Teflon Beast

Gary Busdriver – ‘Scraps!’ EP
TBR is pleased to share Scraps!, the latest EP by sound artist Gary Busdriver. Busdriver’s music this trip is made up of two previously released compilation cuts (“Locale Parlance” from Austin, TX’s Instincto Records double CD set Austin Noise and “Trailer Food Heartburn” from bang the bore’s community’s [bangthebore.org] Here album) and three experiments that have gone homeless since their composition over the last eight months. “Scuzz McTell” is Busdriver’s first ever-vocal recording. It’s a more or less straight Stooges-esque fuzz rocker given over to apathy and overdrive. “Don Giovanni” is Mozart manipulation as only Gary could construct and weirdest of all is “Free Jass” which takes recordings by Daily Brothers at their jazz influenced moments and reconstructs several samples into a collage of free “jazz.” Don’t miss a freaking minute!

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NNA Tapes

NNA046: Le Révélateur – ‘Horizon Fears’ C22
Following up stellar releases on the Root Strata and Gneiss Things labels, Montréal, Quebec music veteran Roger Tellier-Craig offers us his latest collection of crystalline electronics as Le Révélateur. “Horizon Fears” explores virtual settings through highly evocative and sparkling hi-fi electronics, spanning a wide array of moods and themes. Always a dedicated purist, Tellier-Craig specializes in assembling pulsing electronics and inventive melodies as interlocking parts, creating a colorful and highly visual grid of fine-tuned pieces that operate flawlessly as a whole.

NNA047: Freddy Ruppert – ‘Wait’ C20
Deviating stylistically from his previous work with Former Ghosts and This Song Is A Mess And So Am I, Los Angeles-based musician Freddy Ruppert has constructed a forboding collage of churning industrial soundscapes. “Wait” is a highly personal collection of deliberately anti-climactic processed acoustics, from glassy piano fragments to deep, rumbling bells. While remaining bestial and dark, the sounds on “Wait” retain an emotionally complex and organic energy; a calculated exercise in tension and restraint, existing intimately in a place of no resolution.

NNA048: PHORK – ‘Discrepancies’ C50
NNA is proud to present “Discrepancies”, the latest full-length from the People’s Higher Order of Royal Kinship. Neal Reinalda has created a highly unique strain of surrealist techno collage using a high brow palette of sound that borrows not only from traditional electronic dance music, but also from another place entirely… sounds that are perplexing as they are refreshing, familiar as they are understated. Field recordings and other naturally-occurring sonics find their place comfortably amongst delicate, watery rhythms and painterly percussion, all wrapped up in a pop art sensibility.

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Not Not Fun

Holy Balm – ‘It’s You’ LP $12
Last year’s LA Vampires club-cruise across Australia unearthed a multitude of uplifting experiences (Cairns hippie aerialists, Newcastle hardcore, Melbourne acid sangria, etc), but chief among them was the live actualization of Sydney post-power trio Holy Balm, who slyly gene-splice strands of mutant new wave, freeform house, digital trashcan tribalism, and minimalist pop into something playful, primitive, and splatterpaint-party perfect. After a few micro-limited split tapes and a single 7”, the band finally enlisted the help of Jon Hunter at Magnetic Recording Council Studios to record and mix their debut full-length, resulting in the whacked-out hypercolor majesty of It’s You. Comprised of live classics (“Take It,” “Holy Balm Theme,” “Town Called Hope”) as well as some wild, extended studio experiments (“Phone Song,” “One & Only”), plus a Y Pants cover, the album captures HB’s wobbly electronic freak-funk and paradise garage grooves gloriously. September finds them embarking on their first ever U.S. tour/voyage so now’s the time to Balm up. Released in Australia via esteemed pan-genre punkers R.I.P. Society. Funky cactus cover artwork and layout by Sydney conceptual painter Mitch Cairns. Edition of 915.

Afterhours – ‘Sleepwalker’ 12″ $11
If NYC is the city that never sleeps, then LA’s the one that never wakes. Deep dawn drives through Los Angeles’ fringier fiber optic thoroughfares reveal a nocturnal wonderland of ghosts, bums, lurkers, vampires, and thugs – every stripe of sleepwalker. Which is an all too apt title for Afterhours’ vinyl debut, after a calendar year of altered state incubation via their live weekly radio transmission, “Field Recordings Of The Afterhours,” broadcast from KCHUNG’s Chinatown basement headquarters. Inspired equally by Mo’ Wax obscurities, sound poetry, “Moments In Love,” anime depictions of neo-futurist Tokyo, and Endtroducing, the EP’s four instrumentals slow-zoom like a surveillance camera through shimmering tunnels, glowing skylines, and empty streets, rich with headphone harmonics and the grey romance of isolation. Ain’t it funny how the night moves, when you don’t seem to have as much to lose? Recent recordings have seen Afterhours’ shadow government diversifying into abstracted trip-hop, graphic design, art-world provocations, and Café Del Mar-esque house, so their Sleepwalking ethos is clearly going places. Recorded in Highland Park, CA; additional mixing assistance by Octo Octa. Clear vinyl 12 inches in neon metropolis jackets designed by the group. Edition of 400.

Moonpool & Dead Band – ‘Human Fly’ 12″ $11
Detroit deviants Moonpool & Dead Band hardwire their gutter disco waveforms with all the slime lab atmospherics and sci-fi circuitry scuzz that you might expect (and hope for) from a duo comprised of veteran garage-punk drummer Dave Shettler and Wolf Eye noise lifer Nate Young. Utilizing a swap meet’s worth of crusty synths, sequencers, drum machines, and outmoded FX units, and adhering to a purist’s regimen of “all live + improvised, no overdubs,” MP & DB’s rogue wizard approach to basement beat music has birthed some refreshingly unclassifiable tunnel-rat techno (see their self-titled 12” on Agitated for proof), but Human Fly feels like their unambiguous highlight to date. Motoring on a busted industrial-funk rhythm, “Human Fly” grinds and grooves through a maze of modular synth sparks, acid ooze, and fried smoke before stopping suddenly to reveal a Cramps sample (hence the song title) sputtering tinnily under all the noise; then, with almost a comic sense of timing, they re-bury it in the pumping pulse of duct-taped electronics. The B Side pieces, “Jagged Orbit” and “Cyber Rebels,” float and flow and ebb with a lighter touch, weird looped percussion, jazzy house leads, and synthesizer shrapnel echoing across the stereo field like soft comets, the beats finally fading away in soothing waves of deep space hiss. An unusual synthesis of vibes and ideas, and an ideal addition to the canon of inexplicable American EBM originators. Cut at Dubplates in Berlin. Artwork by prolific 80’s fantasy paperback illustrator Mark Salwowski. Edition of 470.

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SF Broadcasts

Superskin
Originally selfreleased by SUPERSKIN himself we decided to rerelease this cassette as a HIGH QUALITY digital download only because of our current distribution difficulties. This diamond communicating out of Vienna City is a key witness of the current transmitting activities in this area which developed over the last eight years. He had been touring with a lively metaphysical group for almost three weeks now through the temple sites of Egypt to collect this seven helixes corresponding to energy centers, inside and outside of your body, on this planet, at this time. The connection of this seven strands means that the seven energy or information centers can begin to function and send information back and forth to one another. Traditionally, three of these centers are located in the body, and four are located outside of the body. These seven bodies are spinning with information. Once you, as member of the Family of Light, are able to take this mutation into your body, you will be able to integrate your three centers of information. You will begin to understand that you create your experiences, and you will learn to become a conscious creator.More than that, you will become a conscious rememberer of who you are.

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