DISAPPEARING – ‘Untitled’ CS
Disappearing is a rule-based project of Rain Lucien Matheke, an interdisciplinary artist and cat mother based out of Los Angeles. Rain is a trans woman living with a rare primary immune deficiency disease. She holds a Master’s Degree in Visual Art from California State University, Northridge, and has exhibited and performed throughout California, as well as in Nebraska and New York. The result of the growing necessity for greater attention to themes explored in other live settings, disappearing is focused on the use of tape loops, tape machines, and effects as a means of exploring concepts of decay, loss, memory, and transformation. Cover Art by : Rain Lucien Matheke. Layout by : Michael Daddona.
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Riding in on his brand new neon pony, hi-fi bedroom cowboy, Nick Stevens comes to the big city to team up with producer and multi-instrumentalist Adrian Knight of Blue Jazz TV for a new sound in country and western. After hearing Knight’s “Pictures of Lindsey”, brimming with excitement, he tracked down Adrian at Skymall Studios with some bare bone demos. The two connected on their mutual love of synthesizers, Leonard Cohen, and chanterelle mushrooms. They signed a 4 year contract and NDA with Galtta and instantly got to work. Brushing out that old whiskey patina, the clean sound of drum machines and saxophones reveals a world of dormant feelings and stories about isolation, missed connections, and regrets. Alice Cohen, legendary performer and songwriter, joins the duo and lends her voice on four tracks, including “Easy To Hold,” a love song accented by expensive reverbs, synth bells, funky bass, and cheap percussion your sister brought you back from her trip to Costa Rica. A lone wanderer’s journey, ”The New Age” canters through dark alley ways and sunny 85° vacation landscapes. Hang up the old leather and lace for a freshly pressed Italian silk (high thread count) and Capezios. Pop a Zanny and kick up your feet — your flight is now taking off into the sunset!
ZLI REŽIM was a no wave / black metal / industrial band that existed for one afternoon in march 2004 during a private session at “Boom bar” (Split, Croatia). Hermetically sealed cassette tape. Circa 2 minutes per side. Limited edition of 50. Self-released in June 2018.
Piano Activities score is one of the most iconic pieces of Fluxus and sonic art history, but also a positive work of transformation. All these years, Philip Corner never stop to expand the possibilities of that work, documented in various of releases, not only as a possibility of destruction art, but also as a form of experimentation. Piano Activitys Workplays is including four live recording based on four different workshops, that Philip Corner did with students, in various places in Europe. The pianos are not destroyed … “I think its time that people know this about that piece” Philip Corner … Piano Activitys Workplays is released in 100 cassettes, including 76 min of music and a text written from Philip Corner explaining the story of the score.
Lionel Marchetti (1967) is a notable French electroacoustic improviser and musique concrète composer, visual-sound artist, a writer and a poet. Chasser (2012) contains his “first natural study” Volet in three parts. Natural landscape recordings were used as the main sound source, manipulated and mixed with electronic sounds, piano tunes and poetry. “Chasser” is released as a limited number of 80 red coloured cassettes.
Construction, deconstruction, assembly of field recordings and sound processes in electroacoustic syntax. With a background as electronic technician and programmer, TF+ focuses his artistic research on the organic aspects of sound with particular interest on the processes for granular synthesis. Already appeared in some releases on Swamp Tape series, the current project aims to exploring some dynamics related to the psychologic dimension of sound, with a combination of influences related to the previous Fldexp project and to the manipulation of altered signals. Limited edition of 50.
Mirroring modern life in its episodic ruminations and wyrdly shifting distortions, each piece of this peculiar, never settling little work has a ring of nervous fatality, a susurrus of disquieting urban ambience that serves as an abstracted backdrop to the blackened and shattered ravings of the quintessential marooned figure. This is panic-room chamber music, incorporating horn moan undercurrents, aphotic provocations, squalling feedback and ghostly acoustic drift. Are you dead, enquires the artist, or just dangerously detached from reality? Limited edition of 20, hand-marked.