Animal Psi

M.E.S.H. – ‘Scythians’ 12″
A resident at the now infamous Janus party in Berlin, M.E.S.H. follows up releases with kindred labels Dyssembler and Black Ocean with his debut PAN EP, ’Scythians’. In addition to his club experience, M.E.S.H’s work is equally well contextualized by his community of peers – he is a frequent collaborator with contemporary artist Aleksandra Domanović, has exchanged remixes with Arca and Fatima Al Qadiri, and is a formative figure in an ascen- dent community of net-aware underground club artists in Berlin including Lotic, Renaissance Man and TCF. Opener ‘Scythians’ introduces the textural depth of foley blades and draining sewers to his distinctive combination of synthetic sheen and abstract breaks. ‘Interdictor’ is a high drama production, combining staggered sub kicks and crunching metallic textures with wavering chords over a staggered rhythm. In ‘Captivated’ – 808 kicks and an ominous voice punctuate hypnotic washes of noise and hi-hats. ‘Imperial Sewers’ frames synthetic voices and growling pads within a majestic up-tempo hip hop track. In the beatless ‘Glassel Finisher’, metallic, resonant scratches cut through air above the sounds of fabric dragging. The 12″ is mastered and cut by Rashad Becker at D&M. It is pressed on white vinyl which itself is housed in a silk screened PVC sleeve with artwork by M.E.S.H. & Bill Kouligas.

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Human Adult Band – ‘Trash Pickin’’ 7”
Here is the third 7” of the newest and most exciting group in the last five years.  Human Adult Band represent the biggest single departure of conventional music form today.  Thousands of you who have seen them perform and who have made this 7” possible, know very well that Human Adult Band are the foundation of the new music revolution.  For those who have not as yet experienced the “psychedelic” sounds, we invite you to listen and become part of a re-creation. Human Adult Band started out in New Brunswick, NJ (Court Tavern) and soon had taken over the minds and imagination of the critics, poets, writers, artists, “groupies”, record executives, disk jockeys and even Bedford Ave, Brooklyn.  Their following continues to grow in size, above ground as well as underground.  While playing the Chessmate Club in Detroit, over 7000 people came, in just twelve days, which is staggering considering the club’s capacity of 300.  The Adults have a heavy schedule of concerts, one nighters, a tour of England and Japan to keep them busy for the next six months.  We are also busy preparing their fourth 7”, due largely to the success of this one.  It will be a split 7” with the unstoppable Big Blood from Portland, Maine.  We’ve called this the ‘Trash Pickin’’ 7” because after one good pick you’ll be pickin’ for more and more and more of the incredible Human Adult Band!! BOB WYLD. First 50 copies available at 1990’s prices.  Order for $3 from www.dihd.net.  $5 thereafter.

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II028 – softest – ‘music for rain: volume one’ c42
Sound reflections for a rainy day, or a day when you want some rain.

II027 – Ki Oni – ‘Autumn, In Reel Time’ c52
Colors abounding. delightful warming against the brisk breeze and maple leaves.

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German Army – ‘Social Catalyst’ C30 6€(EU)/7€(World)
In the desert the sun has no pity. Everything melts. The asphalt. The sounds. Your head. Edition of 50 copies.

Kot Kot – ‘кунь’ C40 6€(EU)/7€(World)
Somewhere in Karelia fairies found a tape of music. A little magic won’t hurt anyone, but things may get a weird. Edition of 50 copies.

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(kimdawn061) Sparkling Wide Pressure – ‘Manifestation of Magi’ CDr
Meditations on dream imagery, personal icons, and sonic texture. This feels very personal and raw to me, not unlike the very first SWP album Some Triggers. It’s something in the underlying intention behind these songs. There are reference points in my mind that I’m hitting each time I get lost in these pieces -something that gets clearer with each listen. The packaging is adapted from a recent painting of mine titled Magical Girl. Edition of 50.

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DAIS057 Maurizio Bianchi – ‘Amentest’ 7″
Limited 300. The late 70′s rejection of punk and rock-oriented music within select underground subcultures was signified by the works of of bands like Throbbing Gristle, Cabaret Voltaire and Whitehouse. Using their network of record labels and propaganda, these like-minded noise makers created a sound and aesthetic that is known far and wide as something quite English. But in Italy, a storm was slowly brewing in the works of a lone composer by the name of Maurizio Bianchi. Starting in 1979, Bianchi formed his earliest sketches of abstract loop composition under the pseudonym Sacher-Pelz. After only a few months, he felt it was time to start producing more conceptual works under his given name, sometimes shortening his authorship to only MB. The following years saw some of industrial and ambient music’s most genre defining works. Rumors surrounded a series of mischievous unauthorized releases only to be contradicted by his humble and earnest willingness to collaborate with other like minded composers coincidentally followed up by his ominous “disappearance” from music during the late 80′s / early 90′s. His various comebacks always showed MB to be the master of his own device who undoubtedly influenced and inspired thousands of musicians, artists and composers with his creative output. Most recently, MB has been reflective on his 35 year history in music and the impact he has had on it. His recent works show MB as undoubtedly reflective yet remaining persistently original. Amentest is Bianchi’s most recent work employing the 7” single format, a medium that MB has only dabbled in briefly. Keeping his abrasive rhythmic sounds, beautiful use of delay patterns and selective subject matters at hand, MB’s genius still shows that he is as relevant today as he was back when he was quietly manufacturing his echoed sound sculptures in the foothills of Italy in 1979. Limited to 300 copies. Edited by Kris Lapke (Alberich) with artwork by Ryan Martin (York Factory Complaint / Dais).

DAIS056 Sissy Spacek – ‘Lead Their Exit’ 7″
Limited 300. On Xmas day in 1999, the channels of the noise canon received a new entry into its ranks by the name of Sissy Spacek. 15 years later, the outfit, held together by core members John Wiese & Charlie Mumma, has left a littered trail of damaged recordings and countless performances in its wake. Known for it’s cult output and conceptual performances—each idea folding over the last to create havoc in the way that most would care to avoid, Sissy Spacek takes this all head on. Their newest 7” shows the band exploring song-based material (see also their live shows), employing it’s newest member Sara Taylor to provide vocal accompaniment to their special brand of furious destruction. To those familiar with their previous works on PPM, Chondritic Sound, Gilgongo or Wiese’s own Helicopter imprint, one will instantly welcome their signature hybrid of grindcore blasts and avant-garde sensibility and remain captured by the band’s semblance of leftfield song writing. Limited to 300 copies.

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PURR 0044: Greg Manata – ‘Washing’
Limitless and endless space, I wait patiently at the stream. Equipped to move on to the next world gushing life from the source.

PURR 0045: Rose – ‘Deliverance’
Strips of land with a tilted pitch of highland wonder. It took all our strength to travel the circle; a pit of sooty-stars left hanging in the darkness.

PURR 0046: Ashan – ‘Breathknow’
Bursting forward, take in your surroundings – with its ancient patterns and motion-carrying spins of every possible shape and color. Experience knowledge through time.

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Jackie McDowell – ‘Baptisia’ LP $15
Jackie McDowell’s music exists outside of the normal spectrum of time and space. She is at once an enchantress a thousand years old, a quiet, psychic child of four singing in the shadows, and a lucid dreamer. Releasing music since 2009 as Inez Lightfoot and in the projects Sun Cycles and WaterFinder, her work has continued to transverse the sphere of the mysterious unknown, but now emerges with a new voice that is immediately spellbinding. Luscious organ and vocals emerge from the darkness. Birds, beautifully weird drones, and abstract sounds gently unfold and carry us to the light. She eases us in so that our eyes aren’t too stunned by her bright, transfixing voice. It’s no surprise that Jackie is a practicing Herbalist; her music concocts a similar alchemy. Quietly humble and imaginative, she is nestled in Pittsburgh, but originally she hails from rural Illinois. As a child-loner with wild ideas and visions, she found in folk music and nature an alluring companion, and so she planted her roots. She is well versed in American folk music, and like the hues in a vintage color photo, her favorites such as Sandy Denny, Linda Perhacs, and Bridget St. John color her songs. Jackie’s powers are medicinal, ancient, and ever new. She travels where very few are allowed; We just happen to be carried on her wings, and so we arrive safely to this astonishing, esoteric plane.

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Jackie-O Motherfucker/Tom Carter + Helena Espvall – ‘Hopland’ split LP
Pome Pome Tones – LP release number two – now available ! its a lovely split with new exclusive tracks: Tom Carter (of Charalambides) and Helena Espvall (of Espers) duo on one side… and the 2014 version of Jackie-O Motherfucker on the other side. SPLIT (aka Hopland) is released in Europe on Ruralfaune and in the USA on Pome Pome Tones. 200 copies total, only 30 of those are in the USA.

Jackie-O Motherfucker – ‘Europe ’14’ CDr
originally a CD-R with hand-drawn crayon covers sold only at European JOMF shows in April and May 2014 — now a high quality download, suckers. over 60 minutes of new shite.

Avarus – ‘Salon des Amateurs’ LP $5
Masters of Finnish fumble. Pome Pome Tones LP release number one.

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