NNA Tapes

NNA050: Matt Carlson – ‘All Moments’ LP
NNA is proud to present our 50th release, Matt Carlson’s “All Moments” long-playing record. Where 2011’s “Particle Language” LP acted as a study in texture and density within experimental synthesizer music, “All Moments” finds Carlson engaging with the more traditional musical materials of melody, harmony, and rhythm, calling to mind his work as one half of Portland, OR duo Golden Retriever. The pieces on this record range from shorter pop études to longer, more open improvisatory synth studies, retaining a sense of playfulness and expressiveness within a highly focused and calculated framework. Recorded to four-track cassette and primarily hand-played with very little-to-no auto arpeggiation, “All Moments” captures an often-overlooked warmth and human quality in electronic music, emphasized further by Carlson’s use of modal and tonal vocal studies, electronically transformed by his use of the vocoder. The result is a well-rounded collection of colorful, exuberant electronic music. Mastered and cut by Lupo at Dubplates & Mastering, Berlin. Artwork by Jason Traeger.

NNA051: Oneohtrix Point Never/Rene Hell split LP
NNA’s second split LP unites two American artists on the cutting edge of experimental electronic music: Brooklyn’s Oneohtrix Point Never and Los Angeles’ Rene Hell. Daniel Lopatin and Jeff Witscher have each been working tirelessly in the US underground for the last several years, releasing progressive, forward-thinking, and highly acclaimed music under a wide variety of guises and manifestations. In 2012, we see them each offering their respective unique visions and interpretations of digital music in the modern world, processing the world around us through the lens of technology and modern sound. Oneohtrix Point Never brings us “Music For Reliquary House”, which consists of sonic reworkings from the “Reliquary House” audio/visual installation, a collaboration between Lopatin and video artist Nate Boyce. In a series of five pieces, Lopatin delivers a sequence of hallucinatory informatic assaults, a satirical re-envisioning of modernist sculpture. Picking up where 2011’s “Replica” left off, OPN uses digital technology to dissect human speech patterns and timbres almost beyond recognition. Via computer, Lopatin converts pieces of text to human speech, only to dismantle it entirely, surgically reassembling the scraps of frequencies and the shrapnel of pure sound into something new altogether… starkly melodic at times, but altogether harsh and inhuman as a whole. Rene Hell presents “In 1980 I Was A Blue Square”, a suite of five pieces for piano, synthesizer, and computer. Juxtaposing mid 20th century classical music with chaotic electronic blasts, Witscher creates his own style of contemporary music that is peaceful and violent on top of itself, creating a rift of confusion that sits nicely between more vast, soundscape-like vignettes. Witscher’s previous forays into the worlds of noise and ambient are tastefully apparent here, indicative of an artist who is able to retain a broad array of influences and use them in a way that is both personal and original. Mastered and cut by Lupo at Dubplates & Mastering, Berlin.


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